Judith Kaufmann

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Because of the power of love, the last year of Franz Kafka's life becomes his happiest. The well-known writer has never before been able to allow himself to experience intimacy, he suffers from tuberculosis and is dependent on his overbearing family. In the summer of 1923, he met Dora Diamant in the seaside resort Graal-Müritz on the Baltic Sea coast, where he is convalescing and she is working in a Jewish Volksheim. He is a man of world, the 14 years younger woman is from the deep East, he can write, she can dance. She has both feet firmly on the ground, he is always hovering a little above it. She embraces the indicative, he gets tangled up in the conjunctive. But the worldly wise Dora accepts him as he is. And he accepts her. Together they go to Berlin and when Franz's health deteriorates rapidly, to a sanatorium in Austria. They are granted a single year together until Franz Kafka's health deteriorates incurable. However their year together allows them to feel the glory of life.

Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?

Jesper is a soldier in the German army, who reports for a new tour of duty in Afghanistan. His unit is to protect a village from the Taliban.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Because of the power of love, the last year of Franz Kafka's life becomes his happiest. The well-known writer has never before been able to allow himself to experience intimacy, he suffers from tuberculosis and is dependent on his overbearing family. In the summer of 1923, he met Dora Diamant in the seaside resort Graal-Müritz on the Baltic Sea coast, where he is convalescing and she is working in a Jewish Volksheim. He is a man of world, the 14 years younger woman is from the deep East, he can write, she can dance. She has both feet firmly on the ground, he is always hovering a little above it. She embraces the indicative, he gets tangled up in the conjunctive. But the worldly wise Dora accepts him as he is. And he accepts her. Together they go to Berlin and when Franz's health deteriorates rapidly, to a sanatorium in Austria. They are granted a single year together until Franz Kafka's health deteriorates incurable. However their year together allows them to feel the glory of life.

Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?

Jesper is a soldier in the German army, who reports for a new tour of duty in Afghanistan. His unit is to protect a village from the Taliban.

Survival is not enough. Fariba Tabrizi has made it. Under peril of death she has fled from Iran. In Germany she has no alternative way of avoiding the threat of deportation other than to assume the identity of a deceased co-detainee. So what happens after a few month in which she has tried to come to terms with a situation which is actually an insufferable one for her? How does Fariba live not only in this external state of exile but also in an inner state of exile? The term "in orbit" is officially used by the UN to refer to asylum-seekers who find themselves orbiting around planet Earth because they can actually find legal domicile nowhere at all.