Corinna Belz

Short documentary vignettes and interviews revolving around cinephile life in Paris.

The story of a woman who has to choose between two men. Shot in black and white and in the classic silent movie format. There is no camera movement, neither a pan nor a drive and certainly no zoom. Everything is extremely simple: the title, the title credits, the music (a flute sonata by Bach), the story that is told.

Nico, a filmmaker, returns to her hometown to lead a storytelling workshop with her childhood friend Lori, a schoolteacher there. Lori’s pupils are asked to imagine their future selves. The children’s thoughts prompt Nico and Lori to reexamine their own decisions in life — as well as their friendship.

The story is set against the background of a bloody civil war in the Roman Empire. Sulla is in the countryside outside Rome and prepares to move into the city, that is in the hands of his enemies. He waits and turns to reflections. And to his lust.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

500 rooms and thousands of daily visitors: the Medici’s treasure chamber containing icons from antiquity to the late Baroque period is a place full of (art) history. It survived two world wars but must now reinvent itself in order to remain an enduring audience magnet.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

Der Film portraitiert eine Gruppe von Microsoft-Aussteigern: im Ruhestand mit 32, Multimillionäre und ohne die geringste Idee, was sie mit dem Rest ihres Leben anstellen sollen. Ihre Jahre im Unternehmen, der Hype des Goldrausches und das Adrenalin des Erfolges hat sie ausgebrannt und doch sind sie entschlossen mehr aus ihrem Leben zu machen - vor allem Sinn und Bedeutung in der wirklichen Welt zu finden.

Thomas Schütte's work is always about people. His works have gravity and lightness, but they also show damage, power relations, fears, dependencies, evil, weird and beautiful figures. Schütte studied from 1973 to 1981 at the Düsseldorf Art Academy under Fritz Schwegler and Gerhard Richter. Today, he is one of the most important contemporary artists and is represented in all major museums and collections worldwide.

Thomas Schütte's work is always about people. His works have gravity and lightness, but they also show damage, power relations, fears, dependencies, evil, weird and beautiful figures. Schütte studied from 1973 to 1981 at the Düsseldorf Art Academy under Fritz Schwegler and Gerhard Richter. Today, he is one of the most important contemporary artists and is represented in all major museums and collections worldwide.

Thomas Schütte's work is always about people. His works have gravity and lightness, but they also show damage, power relations, fears, dependencies, evil, weird and beautiful figures. Schütte studied from 1973 to 1981 at the Düsseldorf Art Academy under Fritz Schwegler and Gerhard Richter. Today, he is one of the most important contemporary artists and is represented in all major museums and collections worldwide.