Acting
Sigmund Aschenbach
Acting credits
No synopsis available yet.
Die Diamantenstiftung
1917
No synopsis available yet.
Ein Lied von Haß und Liebe
1918
NRNo synopsis available yet.
Die Erbschaft von New York
1919
No synopsis available yet.
Liebe und Leben. 2. Die Tochter des Senators
1918
NRNo synopsis available yet.
Und stets kam was dazwischen
1917
No synopsis available yet.
Frauen, die der Abgrund verschlingt
1918
NRThe film chronicles East Prussian history from its pagan origins to the start of World War I in 1914, highlighting the Battle of Tannenberg. The first three acts cover the region’s early history, including the Teutonic Order’s founding, the Brandenburg electors’ era, and the impact of Napoleonic troops, with Queen Luise as a comforting figure. The third act depicts modern Prussia’s resurgence affecting East Prussia. The final two acts focus on the Russian invasion of Masuria in August 1914, showing the devastation and the portrayal of Cossack hordes as destructive. Retired General Paul von Hindenburg arrives, ending the atrocities and leading to a decisive Russian defeat at Tannenberg, culminating in East Prussia’s liberation.
Ostpreußen und sein Hindenburg
1917
No synopsis available yet.
Irrwege der Liebe
1918
The doctor Ada Haller pursues a successful career as a scientist, in which she comes more and more into conflict with her marriage and the role expected by society as a woman. An extremely progressive and conventional film at the same time, which takes up modern themes and shows parallels to the life of the leading actress: Esther Carena, real name Franziska Lucia Pfeiffer, studied medicine for a semester before she came to film through acrobatics and pantomime; after their marriage in 1924, she withdrew from an extremely successful silent film career into private life.
Women Who Shouldn't Get Married
1919
No synopsis available yet.
Unter heißer Zone
1916