Robert Rivard

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

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Linda leaves the modest family home and decides to go off and make a life for herself. She finds a job as a secretary for a married man who woos her, snubs a libertine seducer and finally finds love with Frédéric, a young and handsome millionaire racing driver in his spare time. Alas, the man she tenderly loves ends up marrying another.

One night from which arise enigmatic corpses, police who understand nothing, improbable witnesses. Mysteries and inconsistencies are added to each other.

Bernadette has a yen to chuck it all and go back to nature, in this French-language Canadian film. That's just what she does after carefully leaving her wedding ring where her affluent husband, a lawyer, can see it. She has bought a farm, complete with a run-down farmhouse and a live-in cranky old man. Soon, because of the wonderful effects that her sympathy and her outsider's perspective have, her neighbors perceive great improvements in their lives. They attribute these changes to something miraculous (perhaps taking a cue from her name), and hordes of needy people descend on her farm.

This movie tells the story of a father, a mother and their young boy who, to get out of misery, leave the village where they live to try their luck in Montreal.

A family film about Nikki, a half-wolf, half-dog raised in the Yukon during the gold rush era. After being separated from her master, Nikki must fend for herself amidst bears, the harsh Yukon weather, and a trapper who wants her skin.

The story of a Machiavellian plan hatched by a money-grubbing stepmother to push aside the young lover of her stepdaughter whom she wants to marry a wealthy idiot. The woman devises the most abominable machinations to achieve her ends, going as far as to try and murder her own husband. This melodrama in which evil attempts to prevail over love was adapted from the play THE SPIRIT OF EVIL by Quebec’s prolific playwright of the 40s and 50s Henri Deyglun.

We witness the race for marriage of thousands of young people, wanting at all costs to escape conscription, then we are transported to the war factories and we thus witness the difficulties of work in this place. Then it's the Italian campaign in 1943 and, finally, the return to Quebec where readjustment to civilian life proves more difficult than it seems. These events are experienced and told by the voice of a young man.