Joanne Cesario

When an ongoing apocalypse halts the production of Gabby's new film, she escapes to see her artist friend Tona in La Union, a former booming beach town and strategic site for a US military base.

An assemblage of text, photos, and videos that reflects on the departure of the filmmaker's close friends from and to the mountains to take part in the struggle for societal liberation, and the subsequent guilt that the filmmaker feels for her inability to make the same decisions.

Marcos then, Marcos now. Filipino workers unite and lead the struggle for economic and political rights, determined to shape the course of history. In between, a janitor painstakingly rewinds videotapes featuring these struggles, unknowingly aiding in the preservation of history.​

Marcos then, Marcos now. Filipino workers unite and lead the struggle for economic and political rights, determined to shape the course of history. In between, a janitor painstakingly rewinds videotapes featuring these struggles, unknowingly aiding in the preservation of history.​

Ling is in her last year in elementary school. One school day, her botanist father fails to pick her up and doesn't return home from fieldwork. Fearing that her father has gone missing because there were not enough plants to see in their place, Ling begins planting in her own bedroom.

Ling is in her last year in elementary school. One school day, her botanist father fails to pick her up and doesn't return home from fieldwork. Fearing that her father has gone missing because there were not enough plants to see in their place, Ling begins planting in her own bedroom.

Ling is in her last year in elementary school. One school day, her botanist father fails to pick her up and doesn't return home from fieldwork. Fearing that her father has gone missing because there were not enough plants to see in their place, Ling begins planting in her own bedroom.

Years after mining operations began, a once rugged and undisturbed town changes drastically. Koi, 22, returns home for the first time since leaving for college, and does so with an infected ear. He joins his mother Tonet in waiting for his father, both of them clueless as to whether his father could make it home alive after an accident in the extraction tunnel. As Koi reconnects with his hometown in slow decay, he fears the impending possibility of losing both his father and his hearing. Part fiction, part experiment, and purposefully blurring the distinction, Here, Here is a loose visual study on landscapes and terrains, both natural and beyond.

Years after mining operations began, a once rugged and undisturbed town changes drastically. Koi, 22, returns home for the first time since leaving for college, and does so with an infected ear. He joins his mother Tonet in waiting for his father, both of them clueless as to whether his father could make it home alive after an accident in the extraction tunnel. As Koi reconnects with his hometown in slow decay, he fears the impending possibility of losing both his father and his hearing. Part fiction, part experiment, and purposefully blurring the distinction, Here, Here is a loose visual study on landscapes and terrains, both natural and beyond.

Years after mining operations began, a once rugged and undisturbed town changes drastically. Koi, 22, returns home for the first time since leaving for college, and does so with an infected ear. He joins his mother Tonet in waiting for his father, both of them clueless as to whether his father could make it home alive after an accident in the extraction tunnel. As Koi reconnects with his hometown in slow decay, he fears the impending possibility of losing both his father and his hearing. Part fiction, part experiment, and purposefully blurring the distinction, Here, Here is a loose visual study on landscapes and terrains, both natural and beyond.

An assemblage of text, photos, and videos that reflects on the departure of the filmmaker's close friends from and to the mountains to take part in the struggle for societal liberation, and the subsequent guilt that the filmmaker feels for her inability to make the same decisions.

An assemblage of text, photos, and videos that reflects on the departure of the filmmaker's close friends from and to the mountains to take part in the struggle for societal liberation, and the subsequent guilt that the filmmaker feels for her inability to make the same decisions.