Thomas A. Edison

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her 10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece A Trip to the Moon (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.

By the time he died in 1931, Thomas Alva Edison was one of the most famous men in the world. The holder of more patents than any other inventor in history, Edison had achieved glory as the genius behind such revolutionary inventions as sound recording, motion pictures, and electric light. Born on the threshold of America's burgeoning industrial empire, Edison's curiosity led him to its cutting edge. With just three months of formal schooling, he took on one seemingly impossible technical challenge after another, and through intuition, persistence, and a unique team approach to innovation, invariably solved it. Driven and intensely competitive, Edison was often neglectful in his private life and could be ruthless in business. Challenged by competition in the industry he'd founded, Edison launched an ugly propaganda campaign against his rivals, and used his credibility as an electrical expert to help ensure that high-voltage electrocution became a form of capital punishment.

Feature-length compilation of 1920s newsreel footage, with commentary about news, sports, lifestyles, and historical figures.

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

A documentary overview of the career of silent cinema pioneer Edwin S. Porter.

Documentary focusing on the film careers F.W. Murnau, Frank Borzage and William Fox and their impact on the history of cinema.

At the dawn of cinema and the notion of a moving image, a fierce battle commenced between inventors Louis Le Prince and Thomas Edison to conceive and design a machine capable of projecting multiple frames a second, thus taming light and shadow. EQUITY 6928, slips back in time through the archives and spins a tale of intrigue, murderous intent and nefarious corporate interests.

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

The evening presentation of distinguished guests from earlier that afternoon.

Examines the life and work of the American inventor Thomas Alva Edison.

Based on eight years of continued prosperity, presidents and economists alike confidently predicted that America would soon enter a time when there would be no more poverty, no more depressions -- a "New Era" when everyone could be rich. But when reality finally struck, the consequences of such unbound optimism shocked the world.

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

A six-part documentary recording the 74-year-old Edison's collaborations with his staff, conversations with industrial leaders, and supervision of the factory's production line. The majority of the film (parts 3, 4, and 5) chronicles Edison's trip to the incandescent light bulb factory and details its manufacturing process.

A history of the Edison Company, the pioneering film production company begun by Thomas A. Edison. Included are more than 140 complete films produced by the company between 1891 and 1918, along with interviews with film historians and archivists, and commentary by Charles Musser, a noted film historian and authority on the films of the Edison Company.

A short film in which the members of the Motion Pictures Patents Company (which had been founded only a year earlier) congratulate Thomas Edison himself on receiving a new patent.

In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.

“This film is remarkable in several respects. In the first place, it is full life-size. Secondly, it is the only accurate recent portrait of the great inventor. The scene is an actual one, showing Mr. Edison in working dress engaged in an interesting chemical experiment in his great Laboratory. There is sufficient movement to lead the spectator through the several processes of mixing, pouring, testing, etc. as if he were side by side with the principal. The lights and shadows are vivid, and the apparatus and other accessories complete a startling picture that will appeal to every beholder.” (Edison Catalog)

Civil War drama of a Confederate spy who is captured by Union soldiers.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

A political boss antagonizes his constituents when he delivers an oratory while being fed talking points from his daughter who is reading from the wrong newspaper.

An excerpt of the Shakespeare play presented in the Kinetophone sound system, in which the sound was provided by synchronized Edison cylinders.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

A Kinetophone short featuring Andrew Carnegie speaking on “The Duty of the Wealthy Man,” recorded January 20, 1914, at Edison’s Bronx studio (production number 5113). The motion picture element is presumed lost; however, the synchronized sound cylinder survives.

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

Klingsor seeks admission to the Holy Grail. Evil summons Kundry. Herzeloid appears with the child Parsifal. Crowning of Amfortas. Wounding of Amfortas. Carrying Amfortas to his bath. Kundry brings relief to Amfortas. Parsifal reproached for killing the Swan. Kundry succumbs to Evil. Knights entering the Holy Grail. Parsifal unmoved. Klingsor summons Kundry. Parsifal enters the Magic Garden. Kundry kisses Parsifal. Parsifal calls upon the Saviour. Parsifal repulses Kundry. Klingsor hurls the Sacred Spear. Destruction of the Magic Garden. Guernemanz restores Kundry. Parsifal appears with Sacred Spear. Kundry washes Parsifal's feet. Amfortas tears open his wound. Parsifal heals Amfortas. Parsifal becomes King of the Holy Grail.

A line is shot to the man clinging to the overturned boat. He fastens it to his body using all his fast failing strength. The crew pull him through the surf to the shore, where he is rolled and patted and worked over until resuscitated.

A short Edison Black Maria studio film featuring famed sharpshooter Annie Oakley, known as “Little Sure Shot.” Born Phoebe Ann Oakley Mozee in Ohio in 1860, she rose to global fame performing with Buffalo Bill’s Wild West show. Accompanied (likely) by her husband and fellow marksman Frank Butler, Oakley’s diminutive stature belied her legendary marksmanship.

The Edison Quartet perform songs as blacksmiths. This was one of 200 projects produced using the Edison Kinetophone system. The Kinetophone was a fairly complex mechanical means of creating talking pictures. Unlike previous systems, in which actors would be required to lip sync to preexisting recordings on camera, the Kinetophone was one of the earliest film technologies to record sound at the same time as the image.

“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the pillows become torn, and the feathers fly over their heads and about the room in great numbers, producing with the white dresses and the black background a novel effect. Sharp, full of action, and popular in character.” (Edison Catalog)

A short Edison Kinetophone film, distributed by General Film Company, representative of Edison’s early sound-film experiments. Details on plot, cast, and runtime are not fully documented in surviving sources.

Nursery Favourites (1913) is an Edison Kinetophone short featuring performers miming to a pre-recorded nursery song, synchronized with a commercial phonograph record. It stands as an early example of Edison’s experiments with sound-film technology.

Late 1800s cigarette advertisement produced by Thomas Edison Manufacturing.

Ojo and Unc Nunkie are out of food, so they decide to journey to the Emerald City where they will never starve. Along the way, they meet Mewel, a waif and stray (mule) who leads them to Dr. Pipt, who has been stirring the powder of life for nine years. Ojo adds plenty of brains to Margolotte's Patchwork servant before she is brought to life with the powder. When Scraps does come to life, she accidentally knocks the liquid of petrifaction upon Unc Nunkie, Margolotte, and Danx (daughter Jesseva's boyfriend). So all go on separate journeys to find the ingredients to the antidote.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

A showcase of trapeze artist Alciede Capitaine, billed as “The Perfect Woman,” whose daring feats on the flying bar combined grace with breathtaking athleticism. Produced by Edison in 1898, this title should not be confused with Dickson’s earlier 1894 short Mlle. Capitaine, which also featured the performer.

The only known moving-image footage of the author, filmed at his home, Stormfield, in Redding, Connecticut. The silent short shows Twain walking about his estate, relaxing indoors with his daughters Clara and Jean. No known voice recording survives. Part of this footage has been associated with Edison’s The Prince and the Pauper (1909). Although Thomas Edison has sometimes been mistakenly named as director, he was never credited as director on any films; the actual director of this short is unknown.

A comedy of a young man’s humiliating initiation into a woman-hating men’s club, The Five Jolly Bachelors. With Eddie Boulden and the Edison Quartet.

A comic sketch that features two players who think each one is deaf, causing them to shout. Part of the Edison Kinetophone Collection. The Kinetophone was a fairly complex mechanical means of creating talking pictures. Unlike previous systems, in which actors would be required to lip sync to preexisting recordings on camera, the Kinetophone was one of the earliest film technologies to record sound at the same time as the image.

Metropolitan Opera stars, tenor Enrico Caruso and bass-baritone Pol Plancon, in a scene from the opera "Lucia di Lammermoor" filmed in Edison sound-on-disc process known as Cinephonograph.

Two cocks fight whilst being watched by two men.

James J. Corbett and Peter Courtney meet in a boxing exhibition.