Behnaz Jafari

24 hours in Tehran. A traffic cop is interested in an actress, two old sourpusses terrorise the drug control lab, not everything a taxi driver says is the truth and a building worker seems to be in love.

A story about a poor girl working in a 5 star hotel in tehran and the workers of the hotel when somthing priceless will stolen...

Kaveh ( Mohammad Reza Foroutan ) and Aban ( Khazar Masoumi ), a young couple who fell in love with the heroes of our story, are foreshadowed by Bijan, Ali and Said looking for them for gardens such as Paradise of Idaho, and in this mysterious journey, we lay in layers Inside love.

No synopsis available yet.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

Revenge may have irreversible consequences.

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

A thief comes out of prison and begins searching for his sister. Along the way, he meets another thief, a girl, they work together to gather money, but things don't go well.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

Gita' juxtaposes the ups and downs experienced by a couple (Gita and Amir) whose routine life is faced with despair due to their son's trip abroad. The lead role Gita encounters serious challenges and her life is accompanied with unexpected events.

Laminar, means the first step and chords that guitar learners learn. This movie is about a girl musician.

Bahram Farzaneh is a writer who has long been unable to write a story. Suddenly, due to a car accident, a song is repeated in his mind that brings him to dance. The same thing stirred up the passion for writing.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Reza Kianian film director after much searching, Mandana considered for the role in the film. But Mandana's family disagrees with her play and ...

A Film By Saeed Zamanian

Khosro, a pop singer, lives a hectic life with his wife Tina and their son Moez. His life is further complicated when he begins a love affair with a female fan. A terrible event ensues obliging the lovers to each recount their side of the story in pursuit of the truth.

Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser's daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.

Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.

No synopsis available yet.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Moments after the earthquake, a young teacher in a village outside the town of Bam, scrambles from under the rubble and finds out that her colleagues has died in the quake. She sets out for the town of Bam to get rescue aid for the villagers, but to her amazement, she discovers that the main tragedy has occurred there. Cries of help are heard from every side and the hospital is filled with the injured and the dead. On the recommendation of a cleric, she goes to the mortuary to help with the washing of the dead bodies of women. A prisoner, who managed to get out after the prison building is destroyed asks the teacher to wash the bodies of his dead mother, wife and child, Arezu.

Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.