Sound
Yannick Dauby
Known for
Sound
Credits
4 titles
Sound artist and field recordist based in Taiwan.
Known for
NRKudo, a Japanese researcher and hiker disappeared in the mountains of Taiwan. Looking after his traces, his images.
KUDO
2021
NR“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?
She heard nothing in Matsu. She heard everything.
2021
NRFifteen chapters unfold across the Bunun villages of Litu and Wulu in Taitung, Taiwan, and the surrounding mountains and forests. Children dream of chasing — or being chased by — spirit animals; elders recall lives shaped by snake and bear myths; strange encounters emerge in the habitats of birds.
Bone Always Outlasts Feather
2025
NRA film about the remote islands of Penghu archipelago, Taiwan, from the point of view of the children in the remaining elementary schools, between 8 and 11 years old. With the participation of the schools in the islands: Jibei, Niaoyu, Hujing, Wangan, Jiangjun, Qimei.
Childhood of an Archipelago
2016
Behind the camera
NRKudo, a Japanese researcher and hiker disappeared in the mountains of Taiwan. Looking after his traces, his images.
KUDO
2021
NR“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?
She heard nothing in Matsu. She heard everything.
2021
NRFifteen chapters unfold across the Bunun villages of Litu and Wulu in Taitung, Taiwan, and the surrounding mountains and forests. Children dream of chasing — or being chased by — spirit animals; elders recall lives shaped by snake and bear myths; strange encounters emerge in the habitats of birds.
Bone Always Outlasts Feather
2025
NRA film about the remote islands of Penghu archipelago, Taiwan, from the point of view of the children in the remaining elementary schools, between 8 and 11 years old. With the participation of the schools in the islands: Jibei, Niaoyu, Hujing, Wangan, Jiangjun, Qimei.
Childhood of an Archipelago
2016
