Ahmet Boyacıoğlu

May 22nd, 1963. Unhappy with the existing social and political situation in Turkey, a group of military officers has planned a coup d’état to take down the government in Ankara. Meanwhile in Istanbul, their conspirators have undertaken the vital mission of taking over the National Radio station and making a formal announcement about the coup. But nothing goes to plan. Faced with a number of obstacles, including a sudden rainstorm, the absence of the radio station technician, a betrayal, the lack of feedback from Ankara and their very own inefficiency, the conspirators scramble to keep their plan on track and announce the success of the coup – that is, if the coup in the capital has taken place at all.

A cab driver, a teahouse owner and an out-of-work journalist live in a down-at-heel suburb of Ankara. When the driver tells his friends tales of the murky and unlawful dealings of his passengers, they install a camera to record the passengers.

A cab driver, a teahouse owner and an out-of-work journalist live in a down-at-heel suburb of Ankara. When the driver tells his friends tales of the murky and unlawful dealings of his passengers, they install a camera to record the passengers.

A painter with a turbulent history, fiercely committed to his ideals and still averse to settling down despite his 70 years; a lawyer who packed in his job after suffering a heart attack and now pursues a quiet life looking after his pet snail; a doctor already disenchanted with his profession and now discarded by his wife; a career woman braving life on her own, who has made loneliness a life style. These characters are all patrons of Black & White, an Ankara bar that has been around for 25 years, and in a sense the bar is their last haven. The owner, meanwhile, is the irritable, easily offended but utterly lovable Faruk... Black & White is a film about the awareness of growing old, friendship, sensitivity and the finer details of life.