Belina Zavadisca

Amelia, played by Paula and María Marull, is trapped by daily demands and obligations. She decides to embark on a journey to Esquina, in Corrientes, which will restore her essence, with the river, both metaphorically and literally, being one of the causes and protagonists of this dispossession. The viewer will gain access to the intimacy of the work in progress.

Bruno Gelber, an acclaimed Argentine pianist, lets us know his story, his love for music, his natural talent and his feverish work. A lover of soap operas and astrology, he deeply wishes to be the most beautiful man in the world, in a portrait that hides pain and contradictions.

Bruno Gelber, an acclaimed Argentine pianist, lets us know his story, his love for music, his natural talent and his feverish work. A lover of soap operas and astrology, he deeply wishes to be the most beautiful man in the world, in a portrait that hides pain and contradictions.

Bruno Gelber, an acclaimed Argentine pianist, lets us know his story, his love for music, his natural talent and his feverish work. A lover of soap operas and astrology, he deeply wishes to be the most beautiful man in the world, in a portrait that hides pain and contradictions.

A warm memory of Tucuman childhoods called Tapalín: a clown who shouted "Long live the Homeland!" thirty years ago on TV. Now he lives without frills. It narrates the relationship between Tapalín, the singer Carlos Geomar and César Quiroga who live in the same body.

The City of Replicas is Famaillá, a town in Tucumán governed by the Orellana Twins, two brothers obsessed with building architectural replicas and establishing the city as the National Capital of Twins.

The City of Replicas is Famaillá, a town in Tucumán governed by the Orellana Twins, two brothers obsessed with building architectural replicas and establishing the city as the National Capital of Twins.

Amelia, played by Paula and María Marull, is trapped by daily demands and obligations. She decides to embark on a journey to Esquina, in Corrientes, which will restore her essence, with the river, both metaphorically and literally, being one of the causes and protagonists of this dispossession. The viewer will gain access to the intimacy of the work in progress.