Jens Ohlin

Nelly and the dog London are joined by Valle as they head out into the Black Forest to find the Mirror of Death. A journey that takes them deeper and deeper into the forest and to the place where Nelly's mother once disappeared.

Nelly and her dog London are about to spend autumn break with her uncle Hannibal. Soon she noticed that he doesn't live a quiet life. Her uncle is a Monster agent. Nelly gets dragged in to an adventure filled with ghosts, vampires and werewolves.

At a creative firm somewhere in Stockholm, there's a short break in a meeting. Cecilia relates an anecdote from a hen party, about a 'Turk kiosk' that turned out to be closed. Asal, relatively new at the workplace, questions Cecilia's choice of words, and this seriously offends Cecilia. In the end it's Asal who is accused of inappropriate behaviour.

Aisatou is a racialised actress who has been employed for a voice job at advertising agency Måns & Petter. Everything seems fine to begin with, but Aisatou soon has to choose whether to follow the stereotype or refuse.

When Nelly reunites with her mother, she learns that an ancient vampire intends to open the gateway to the underworld—where a slumbering evil waits to be unleashed. Together with Valle and London, they must stop the vampire before disaster strikes.

Set in 1984, Hans Pettersson (Hasse P.) decides to create the largest sandwich cake ever made in order to put his home town, Köping, on the map.

About 19-year-old Minna, this is a funny, tender, and emotional movie about searching for love and yourself. About taking control of your life.

It is a new documentary made by film director, author and film critic Stig Björkman that will be shown on Sveriges Television in May. It was recorded in connection with Christina Schollin's last theater role as Helena Ekdahl in Teater Galeasen's production of "Fanny and Alexander". In the documentary, Christina looks back on her long film and theater life.

Ingmar Bergman's classic film adapted for the stage.

Ingmar Bergman's classic film adapted for the stage.

Yet another adaptation of Shakespeare's classic play.