Gerald Votava

Vienna, Austria, 1912. The brilliant painter Oskar Kokoschka, considered one of the main representatives of the expressionist movement, has a tumultuous relationship, both professional and romantic, with the composer Alma Mahler.

Luna rebels against the indifference of her artsy friends by writing a punk song about Laugo, the construction worker from across the street. Will the clashing worlds of affluent neglect and working life lead to the collapse of their romance?

Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

Puppets! Pixels! Anime! Live action! Stock footage! Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can't tolerate ignorant and topically abusive comments on the "Internet" anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse. Not to be used with false consciousness or silicone-based lubricant.

Mao inherits her uncle Waberl’s – a former icon of Sex, Drugs and Rock’n’Roll – hotel on the countryside. With the help of her friends Max (a wannabe entertainer with brilliant concepts but lacking structure) and Jerry (a skilled Guitarrero but less skilled chef) they try to put together a hotel band to save Rock’n’Roll as well as their bankrupt hotel.

Max goes to the sauna. With that, he doesn’t just open the door to a steam room, but also to an eccentrically askew parallel world.

Two young girls who live in a small town in Lower Austria dream of America, men and love. They live in Ternitz, they dream of Tennessee.

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.