Hermann Scheidleder

Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.

The evil spirit Lumpazivagabundus says of Fortuna, the goddess of fate: "My true followers don't care much for her. If luck comes their way once, they throw it out the window, and if it comes again, they trample it underfoot." Fortuna isn't about to take this lying down. She intends to prove the opposite through three mortals: the tailor Zwirn, the carpenter Leim, and the shoemaker Knieriem. They win 100,000 thalers in the lottery. And now Fortuna's bet stands.

Former detective Brenner has become an ambulance driver and finds himself, much to his dismay, caught up in a war between two rival first aid organizations.

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Together with the ensemble of the Vienna Burgtheater, led by Kirsten Dene and Gusti Wolf, Franz Wittenbrink accounts in a wonderfully funny way with art and commerce in times of Mozart mania.

It all begins with a mistake, an error with serious consequences: in a hospital the new-born babies of an Austrian couple and a Turkish family of immigrant workers are mixed up and go home with the wrong parents. By the time the mistake comes to light, it emerges that the Turkish family, including the baby, has been deported. The despairing Austrian couple begins a confusing odyssey through Turkey in order to track down the unsuspecting family to their native village. But they are not at all convinced that the babies have been mixed up. It is decided that the only way to know for sure is to have a blood test done. It is decided that the blood work is done in Vienna due to the better medical resources, but that will be far from simple. It will involve an illegal smuggling of the Turks across the Austrian border.

A Dublin student writes a novel about a tavern keeper about the parishioners in his tavern (including the student), who in turn write novels featuring the innkeeper and the student, and other novel composers about other novelists.

An unhappy young photographer is about to make his debut as a journalist. He is to write an obituary about the weapons-crazy mayor of a Lower Austrian village who, it is said, had a tank from WWII. In the course of his research he unearths a conspiracy of wifes murdering their husbands to get an early widowers pension.