
Directing
Jean-Daniel Pollet
Born 1936-06-20 · La Madeleine, France
Jean-Daniel Pollet (1936–2004) was a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge.
Acting credits
4.0He inhabits the world just like he inhabits his house: motionless. A serious accident nailed him there: in a house in the middle of a large garden. No longer can he dash around the world: day after day, he contemplates it from his house. He’s a filmmaker. He’s only ever lived to make movies.
Day After Day
2006
6.4Spinoza, attempting to discover why his son committed suicide, meets his girlfriend and his rival for her affections.
The Others
1975
9.0From Provence to Greece, a journey on the mortal remains and ruins of ancient civilizations.
Three Days in Greece
1991
8.0Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.
La Nouvelle Vague par elle-même
1964
NRFor the "Cinéma, de notre temps" collection, Jean-Paul Fargier sends his friend filmmaker Jean-Daniel Pollet a letter written to the second person.
Parle-moi encore
2016
Behind the camera
8.4A foundry in Perche was established in 1876. This is a final homage paid to the ancestral occupation of foundrymen, whose actions have been repeated innumerable times through the years and which are now going to disappear forever.
Pour mémoire
1978
4.0He inhabits the world just like he inhabits his house: motionless. A serious accident nailed him there: in a house in the middle of a large garden. No longer can he dash around the world: day after day, he contemplates it from his house. He’s a filmmaker. He’s only ever lived to make movies.
Day After Day
2006
4.0He inhabits the world just like he inhabits his house: motionless. A serious accident nailed him there: in a house in the middle of a large garden. No longer can he dash around the world: day after day, he contemplates it from his house. He’s a filmmaker. He’s only ever lived to make movies.
Day After Day
2006
6.4Spinoza, attempting to discover why his son committed suicide, meets his girlfriend and his rival for her affections.
The Others
1975
6.5A man who lives by himself becomes increasingly concerned that he is not alone. Based on the short story by Guy de Maupassant.
The Horla
1966
6.5A man who lives by himself becomes increasingly concerned that he is not alone. Based on the short story by Guy de Maupassant.
The Horla
1966
NRAs a rereading of his films, "Contretemps" (in the fight against time), Jean-Daniel Pollet brings together excerpts of his films and a report by Jean Baronnet. The author Philippe Sollers and philosopher Julia Kristeva voice their thoughts.
Contretemps
1990
9.0From Provence to Greece, a journey on the mortal remains and ruins of ancient civilizations.
Three Days in Greece
1991
9.0From Provence to Greece, a journey on the mortal remains and ruins of ancient civilizations.
Three Days in Greece
1991
NRAbout images and photographs of real estate and specific objects of the urban landscape, a voice speaks to us of the search for something that is unknown and hidden from the view of everyone in Paris. The film starts from the disappearance of the Bièvre river to talk about the pollution problems.
Contre-courant
1990
6.6Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Six in Paris
1965
6.6Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Six in Paris
1965
8.1"I was interested by the fact that some old guy, after the Parthenon’s glamour, devoted himself in a much smaller temple, where there was no white marble, no nothing. All Greek temples are dedicated to Apollo etc, and this particular one was not dedicated to anyone and is in a place where there never was a city nearby, in a kind of wasteland, in a ditch. But, just by going up a bit –you are in the centre of Peloponissos- on a clear day, you can see the sea on both your left and right. I went back there, at least six, seven or eight times, as if I wanted to think or find myself. So, at the temple in Bassae, I made a short 10 minute film and I was lucky enough to encounter two days of clouds and mist between the columns."
Bassae
1964
6.2Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.
The Order
1973
6.0In 1944, in Paris, the leader of a resistance network is looking for the traitor who gave away a radio operator.
Strange Game
1968
6.6Leon who works as a bathhouse attendant discovers a passion for the tango that will change his life. He falls in love with Fumée, a young and pretty prostitute who becomes his partner in tango contests.
The Acrobat
1976
6.6Leon who works as a bathhouse attendant discovers a passion for the tango that will change his life. He falls in love with Fumée, a young and pretty prostitute who becomes his partner in tango contests.
The Acrobat
1976
6.6Leon who works as a bathhouse attendant discovers a passion for the tango that will change his life. He falls in love with Fumée, a young and pretty prostitute who becomes his partner in tango contests.
The Acrobat
1976
6.9A homage to journalist Francis Ponge in a film that its author regarded as “natural.”
Dieu sait quoi
1994
6.9A homage to journalist Francis Ponge in a film that its author regarded as “natural.”
Dieu sait quoi
1994
6.5A more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies.
Gala
1961
6.5A more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies.
Gala
1961
6.3An alien, with the ability to travel through time, visits our planet at various eras.
Le Maître du temps
1971
6.3An alien, with the ability to travel through time, visits our planet at various eras.
Le Maître du temps
1971