Urs Althaus

An oral history of the 1986 film adaptation of "The Name of the Rose", gathering together the memories of several members of the surviving cast/crew.

No synopsis available yet.

In a not-too-distant future only a few homo sapiens are left. Struggling for survival they are forced to live from hunting the last remaining animals in the peripheral ruins of an advanced human civilization. But they are unaware of being stalked themselves by a mysterious scanner. A science-fiction story about hunting and being hunted, about extinction and survival, about dogs – and men.

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.

The famous Italian football coach Oronzo Canà has retired to a villa in Apulia. Now, old and tired, he is enjoying a quiet life there, cultivating his vineyard, when suddenly he is summoned to Milan, in northern Italy. There the elderly chairman of a great Lombard ("Longobarda") club is suffering from dementia and has lost his powers of judgement, and the club's manager has been fired. He has decided to bring back Oronzo Canà as trainer, remembering him from his great football team of thirty years before, tasking him with bringing the club back to its old winning ways. Oronzo puts his trust in the intervention of a Russian billionaire who has bought the club for promotion. But it is a deception.

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.

A nomad mercenary on a high-tech motorcycle helps bring about the downfall of the evil Orwellian government, the Omega.

A young woman trapped in a web of dark family secrets finds herself in a dangerous triangle of love, jealousy, and deception, where the truth hides in her past.

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

Oronzo Canà is called to coach Longobarda, the football team of a small town of Northern Italy, newly promoted to the First Division. His only task is not to be relegated, but Longobarda's owner plots against him, finding the team's current ranking far too expensive, and his top Brazilian striker is affected by a deep saudade.

The plot concerns a small group of people who are forced to flee from their base (which happens to be a Mission) in an old school bus when the VC launch a vicious assault upon it. Along the way they are joined by a group of three battle hardened American Special Forces soldiers and together they desperately fight to make it to safety.

Scella Pezzata, daughter of the Indian chief Heavy Ball of the Cefaloni tribe, is betrothed to Cavallo Pazzo, but is in love with Arrapaho, son of the Indian chief Mazza Nera of the Arrapaho tribe, who is in turn the object of Luna Caprese's wishes of the Froceyenne tribe.