Myriam Schroeter

In late 1980s New York, Jimmy George, a Downtown performance artist living with AIDS, takes on one possibly last great role.

30-year-old Josephine falls in love with guys for their charm, their compassion, but more importantly, for their moms. Oh their MOMS: there's Ms. Collins, mother of Nate, with whom she wanders in museums and meticulously attends wine tastings; Michelle, Jake's mom, who bakes the most amazing butter cake and always makes sure to save a piece for Josephine, and last but not least; Bianca, Felipe's mom, who has Josephine's number on speed-dial and makes sure to use it. To Josephine, these mothers fulfill something in her that their sons are incapable of fulfilling. To what lengths will she go in order to find her next mother?

Through interviews with her partner cum archivist, Florrie Burke, this delightful homage celebrates the life and love of iconic lesbian experimental filmmaker Barbara Hammer and the deep imprint that she made on the world.

Desperate to have children, Kate has been undergoing excessive infertility treatments, only to discover Bill has been hiding a secret that may change everything.

When a family dinner spirals into theatrics, retired actress Lydia must take control of the situation.

A mother surprises her kids with a trip to the place she wants to be buried. When they get there, the kids disagree with her decision.

In late 1980s New York, Jimmy George, a Downtown performance artist living with AIDS, takes on one possibly last great role.

30-year-old Josephine falls in love with guys for their charm, their compassion, but more importantly, for their moms. Oh their MOMS: there's Ms. Collins, mother of Nate, with whom she wanders in museums and meticulously attends wine tastings; Michelle, Jake's mom, who bakes the most amazing butter cake and always makes sure to save a piece for Josephine, and last but not least; Bianca, Felipe's mom, who has Josephine's number on speed-dial and makes sure to use it. To Josephine, these mothers fulfill something in her that their sons are incapable of fulfilling. To what lengths will she go in order to find her next mother?

Through interviews with her partner cum archivist, Florrie Burke, this delightful homage celebrates the life and love of iconic lesbian experimental filmmaker Barbara Hammer and the deep imprint that she made on the world.

Desperate to have children, Kate has been undergoing excessive infertility treatments, only to discover Bill has been hiding a secret that may change everything.

When a family dinner spirals into theatrics, retired actress Lydia must take control of the situation.

A mother surprises her kids with a trip to the place she wants to be buried. When they get there, the kids disagree with her decision.

A mother surprises her kids with a trip to the place she wants to be buried. When they get there, the kids disagree with her decision.

A mother surprises her kids with a trip to the place she wants to be buried. When they get there, the kids disagree with her decision.

While a grieving teen seeks revenge on the local townspeople, his odd behavior draws the sympathetic eye of a curious young woman.

Shaq, a young man grappling with depression, returns to his New Jersey hometown, where his exploration of grief and brotherhood transforms into the imagining of an inner life.

A coming-of-age film about a group of outsider teenagers in Seattle dealing with the consequences of accidental gun violence in their hometown.

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”