Dora Nedeczky

If this is heaven, bring on the afterlife! The spirits of legendary Hungarian filmmakers Michael Curtiz and Gábor Bódy meet in a metaphysical screening room, while on the screen footage plays of classic twentieth-century films.

In a depressing, dreamless world a girl, who can't find her place, falls in love with another. Their love is dream in this dreary world, where people want to exploit every minute, without saving time for important things. Every artificial pleasure is available, though what has been natural, like sleep, dream, love or timeless togetherness seems to be gone forever.

Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.

On the shimmering shores of Europe’s otherworldly edge, two teenage girls, Hanake and her best friend are discussing their first love interest while gazing out at yachts sailing to Kyoto. They whisper prayers and poems, the language of their longings. But the magic is fading in their isolated fishing village as they’re dealing with a recent disaster, with some indulging in erotic art, some in spiritual spells. It becomes clear that intimacy alone won’t help them process their loss.

The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

A confrontation between two swimmers in a locker room.

If this is heaven, bring on the afterlife! The spirits of legendary Hungarian filmmakers Michael Curtiz and Gábor Bódy meet in a metaphysical screening room, while on the screen footage plays of classic twentieth-century films.

Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.

On the shimmering shores of Europe’s otherworldly edge, two teenage girls, Hanake and her best friend are discussing their first love interest while gazing out at yachts sailing to Kyoto. They whisper prayers and poems, the language of their longings. But the magic is fading in their isolated fishing village as they’re dealing with a recent disaster, with some indulging in erotic art, some in spiritual spells. It becomes clear that intimacy alone won’t help them process their loss.

The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

A confrontation between two swimmers in a locker room.

In 1921, an untitled text reminiscent of Edgar Allan Poe's writings was discovered in Boston. It was made by unknown creators, perhaps a techno-spiritualist cult of enthusiasts, for an automaton, that would attempt to model Poe's mind.

Very loosely based on a traditional Hungarian fairy tale, Peter Strickland's contribution to the omnibus film The Field Guide to Evil, this is an abstract retelling of a folktale about two shoemaker brothers battling for the hand of a beautiful princess.

In this short exploration of sensual audio-visual stimulation, the repeated rituals of an online performer have a transfixing effect on her viewers. What starts as an exploration of tactility, addiction and control soon descends into a nightmarish dance performance where no rules apply.