Paul Lys

Klaus Lemke steps out of the door of his Munich apartment and stands on Leopoldstrasse, where he has “lived” for many years. His documentary film is an avowedly gaudy declaration of love for Schwabinger Strasse, the people who live there and their realistic language.

Wolfgang has to transfer a horse to Munich to use as a bar attraction.

Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

In Hamburg, West Germany, a rocker biker gang helps a kid avenge his brother who was murdered by a two thugs.

Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons.

After 7 years spent in jail Paul is free again. With his old crew he celebrates his return. Nothing seems to have changed. And soon Paul finds himself drunk as a skunk at a party in a Blankenese villa...

The story of two small-time crooks in the Frankfurt underworld who would like to make it big, but fail time and again.

A young sex worker in search of love...

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders

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