Belén Blanco

The discovery of several tapes recorded in 1985, during the "Trials of the Juntas," inside the Anti-Subversive Museum of Buenos Aires, allows for a rare reconstruction of the dictatorship's discourse and reveals the residual power of the military even under democracy. This film illuminates a particularly dark historical period and creates a tension: the exposure of the dictatorship's triumphalist rhetoric and the mannequins as a spectral presence of the disappeared.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

The film is born on the threshold where the theatre becomes cinema. Without documenting the process, or explaining it, the film invents its own language. Calixto Bieito's radical approach finds a new thrust in the camera of Marcelo Piñeyro. The camera doesn't look in from the outside: it enters, listens, accentuates and reveals details invisible from the stalls. A hybrid experience, suspended between reality and fiction, where the two languages merge to tell a reinvented truth.

Jimena, like Hannia and Sofía in the first two parts of this trilogy, is the thread that connects the documentary. Gradually, we learn about the life of this young ballet dancer, her desires, experiences, and concerns. Additionally, a series of questions, sayings, and common phrases from Mexican culture are used to engage in dialogue with her and the other participants.

A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

Amidst the worn-out sets of Cinecittà, an ancient Roman aqueduct, and the Trevi Fountain, the two characters wander around with their solitary speeches. Disconnection is the death of love, and they are its ghosts.

His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.

No synopsis available yet.

Marita is a trans-sexual woman from a small town in Entre Rios, Argentina who lives a solitary life in a world that sees trans-sexuality as a misunderstood phenomenon instead of an identity choice.

A young mountain rescue worker who lives in a metal module surrounded by radar systems and computers.

Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.

It summarizes the encounter, at the end of 1999, between the bewildered Victoria and a man who has just arrived from Madrid to meet her on the last day of the millennium. The minimal dramatic substance of this situation acquires a singular character insofar as that man is her father: the girl is 27 years old and it is the first time she is going to see him.

Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

A taxi-boy breaks off his relationship with his girlfriend and begins a self-destructive love affair with another young man.

Delirious black comedy about a leftist group that tries to kidnap General Peron's corpse the day of his death.

The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

The film is a fictional chronicle of a resonant police case that occurred in the city of Catamarca: the crime of the young María Soledad Morales, which had great public repercussion due to the links with the power of the culprits.

The problems of a young man, his pregnant girlfriend and his lover.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.