Marion Gretchen Schmitz

Krasser’s Move is like if the cinema of Quentin Tarantino moved to the seedy underworld of our eastern neighbours. The German antisocial gangster, Chucker, is on the hunt for his loot stolen by a coke-snorting huckster. Chuckers female accomplice However has evil plans and preys on the money. Who is ultimately cheating who? Low-budget intrigue crime story filmed in Hamburg with comical dialogues and a raw German edge.

Johanna finds herself in a snowy place of silence. What lies behind is a ghostly relationship between two people and their longing for connection. Disappointed expectation, illusion, exuberance, in an interchangeable city backdrop. Caught up in naive hope. Only through deep pain does Johanna come close. She breathes.

Shattering the patriarchal concept that a true crime duo requires a man, Bonnie and Bonnie showcases the development of true friendship between two strong and independent women, determined to make their mark on the world.

LOVE HURTS UNTIL THE VERY END MAYBE

Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations.

Even in a dystopian Germany in 2032, if you dig a pit for others, you will fall into it yourself. Because everyone is sitting in a glass house in the toilet at the latest.