Daisuke Sato

Artist. Innovator. Teacher. Inspiration. From his humble beginnings as a modeling assistant in 1958 to his acclaimed directorial debut, Brush of the God in 2024, the legendary Keizo Murase spent his career dedicated to the art of monster making, bringing life to many of Japan’s most iconic and beloved kaiju characters. But behind every rampaging monster and transforming superhero were the hands of a dedicated artist, whose contributions to the Japanese film industry might have been forgotten, if not for a dedicated group of close friends, longtime admirers, and fans from every corner of the globe. For the first time in the English-speaking world, the life and career of this singular creative visionary is revealed and celebrated in a feature-length tribute that sheds detailed light on the accomplishments of Japan’s last great monster maker, and preserves the stories of those who knew and loved him best.

While attending the funeral of her special effects artist grandfather, Akari and her classmate Takuya, a tokusatsu fanatic, come across a film prop that sucks them into the world of fearsome giant monsters. To find their way home, they must unlock the secrets of this fantasy world.

A twenty-minute kaiju adaptation of the Ray Bradbury story of the same name.

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.