Andrea Baroni

Sara, Ester, and Miriam are three sisters who have never left the farmhouse where their father and grandmother raised them. They venerate God because they are an extremely Christian family, and fully respect the dogmas and punishments that the Scriptures, and the Old Testament above all, have transmitted to them. They believe in no intermediary, no Church, and no sacred image: Grandma Paolina rises to all those roles that separate them from the Lord’s grace. Adolescence, however, has brought with it questions and physical transformations that have changed the sisters’ outlooks. The doubt that sin has penetrated into their minds and hands is a legitimate one, and each of them responds differently to their first sexual urges. When tragedy strikes the family and their young cousin Primo is forced to come to the farmhouse, the sisters’ lives are forever changed.

Alessia and Danilo live in the Roman outskirts. In their early twenties, their opposite stories blend together when they fall in love. Danilo was raised in the suburb by Maurizio, a tyrannical father, with the purpose of redeeming himself and ruling his area. Alessia, influenced by religious visions and provoked by the neighbourhood, realizes too late that Danilo will never leave his gang. They will have to decide whether and how to honour their fathers.

No synopsis available yet.

Sara, Ester, and Miriam are three sisters who have never left the farmhouse where their father and grandmother raised them. They venerate God because they are an extremely Christian family, and fully respect the dogmas and punishments that the Scriptures, and the Old Testament above all, have transmitted to them. They believe in no intermediary, no Church, and no sacred image: Grandma Paolina rises to all those roles that separate them from the Lord’s grace. Adolescence, however, has brought with it questions and physical transformations that have changed the sisters’ outlooks. The doubt that sin has penetrated into their minds and hands is a legitimate one, and each of them responds differently to their first sexual urges. When tragedy strikes the family and their young cousin Primo is forced to come to the farmhouse, the sisters’ lives are forever changed.

Sara, Ester, and Miriam are three sisters who have never left the farmhouse where their father and grandmother raised them. They venerate God because they are an extremely Christian family, and fully respect the dogmas and punishments that the Scriptures, and the Old Testament above all, have transmitted to them. They believe in no intermediary, no Church, and no sacred image: Grandma Paolina rises to all those roles that separate them from the Lord’s grace. Adolescence, however, has brought with it questions and physical transformations that have changed the sisters’ outlooks. The doubt that sin has penetrated into their minds and hands is a legitimate one, and each of them responds differently to their first sexual urges. When tragedy strikes the family and their young cousin Primo is forced to come to the farmhouse, the sisters’ lives are forever changed.

Alessia and Danilo live in the Roman outskirts. In their early twenties, their opposite stories blend together when they fall in love. Danilo was raised in the suburb by Maurizio, a tyrannical father, with the purpose of redeeming himself and ruling his area. Alessia, influenced by religious visions and provoked by the neighbourhood, realizes too late that Danilo will never leave his gang. They will have to decide whether and how to honour their fathers.

Alessia and Danilo live in the Roman outskirts. In their early twenties, their opposite stories blend together when they fall in love. Danilo was raised in the suburb by Maurizio, a tyrannical father, with the purpose of redeeming himself and ruling his area. Alessia, influenced by religious visions and provoked by the neighbourhood, realizes too late that Danilo will never leave his gang. They will have to decide whether and how to honour their fathers.

No synopsis available yet.

No synopsis available yet.