Branko Vučićević

After many adventures, a young female switchboard operator starts a love relationship with a serious young man. But while he's away on business, she gets lonely and succumbs to her colleague's passes.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.

Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.

After many adventures, a young female switchboard operator starts a love relationship with a serious young man. But while he's away on business, she gets lonely and succumbs to her colleague's passes.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.

Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.

Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.

TV drama that follows the story of unusual destiny of Sava Šumanović, people and events which affected creation of artistic expression and sensibility of the famous Serbian painter.

A documentary about the famous athlete and movie enthusiast who made Serbia's first sound film, Innocence Unprotected. The Nazi occupation of Belgrade prevented the film from gaining wider acclaim. Director Makavejev intersperses clips of the original film with interviews of surviving cast and crew members, as well as newsreel and archival footage.

Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of morale, their revolution fails and the girl is the one to be sacrificed as a witness of their unsuccessful attempt.

Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.