Pablo Cruz Villalba

When oil tankers went aground in the coasts of the Gulf of Mexico in Campeche, thousands of oil workers lost their payments and their rights.

Through the eyes of four inhabitants of the Mayan jungle, roots of a culture threatened with extermination are unearthed. The preservation of the culture resembles the transplanting of a ceiba tree.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

Hipólita is a domestic worker who, like her mother before her, has worked in Samuel's enormous colonial house for decades. After Hipólita becomes aware of class differences and Samuel invades her privacy, she decides to take control of her work and her life.

When oil tankers went aground in the coasts of the Gulf of Mexico in Campeche, thousands of oil workers lost their payments and their rights.

Through the eyes of four inhabitants of the Mayan jungle, roots of a culture threatened with extermination are unearthed. The preservation of the culture resembles the transplanting of a ceiba tree.

Through the eyes of four inhabitants of the Mayan jungle, roots of a culture threatened with extermination are unearthed. The preservation of the culture resembles the transplanting of a ceiba tree.

Through the eyes of four inhabitants of the Mayan jungle, roots of a culture threatened with extermination are unearthed. The preservation of the culture resembles the transplanting of a ceiba tree.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.

Hipólita is a domestic worker who, like her mother before her, has worked in Samuel's enormous colonial house for decades. After Hipólita becomes aware of class differences and Samuel invades her privacy, she decides to take control of her work and her life.

Hipólita is a domestic worker who, like her mother before her, has worked in Samuel's enormous colonial house for decades. After Hipólita becomes aware of class differences and Samuel invades her privacy, she decides to take control of her work and her life.