Max Gillies

The life and career of a larrikin comedian who found success on stage, in movies and on the wireless during the '20s, '30s and '40s. The film analyses his importance to the culture of Australian comedy.

The Sounds of Aus tells the story of the Australian accent: how it came about, how it has evolved over two hundred years of colonial and cultural history, and how it is today.

Set entirely inside a lift, which represents the inside of Wil Schindel's head, this comically philosophical journey follow's Wil as he contemplates a promotion he's just been offered.

This caustic Australian comedy meant to burn those commercial interests who sponsor artists for tax breaks. It is also a sexually unresponsive wife's revenge against her cheating husband. Heiress Georgina Oliphant, the daughter of pharmaceutical magnate George Oliphant is on a mission to find a sculptor suitable of her father's sponsorship. Normally, George doesn't give a hoot about art, but tax time approaches and he needs a big deduction. Since large bronze statues are 100% deductible, that's what he wants. Georgina comes through with the lesbian sculptor Lily Carmichael who suggests a detailed male nude, sans fig leaf. For her model, Lily chooses unemployed hunk Karl-Heinz Applebaum who at first doesn't realize he is to model totally nude. Fortunately, coquettish Georgina is around to convince him to shed those clothes.

Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in fact dying of cancer as she created what is essentially a self-portrait.

An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.

A satirical enquiry into the origins of media, their distribution and their effects on the way we behave. Those familiar with cartoonist Bruce Petty’s award winning film Leisure will enjoy the same sharp wit brought to bear on another institution, the media. This three-part film is a satirical enquiry into the origins of media, their distribution and their effects on the way we behave. The first part provides a brief history of print, radio, television and film. The second part proposes that a market-placed media produces the problem of monopolisation leading to mediocrity. Finally, Petty produces a caricature of the way ideas form in the mind from reading print, as distinct from passive looking and listening.

A surfer abandoned in the middle of the Australian Outback encounters an alien who time-travels in a ship that looks like a 1950s greasy spoon restaurant and embroils the hero in a chase that involves him sorting out a time paradox so that he can wind back time to prevent the Japanese winning World War II.

A young boy creates a world of puppet friends using pieces of rubbish found in the street.

After surviving a car accident, a young man finds himself trapped in the isolated town of Paris, where the local economy depends on deliberately causing crashes and salvaging the wreckage. As he becomes entangled in the town’s routines, tensions between its residents and a rebellious group of youths begin to surface.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

Stork is a gangly young man, a virgin with an overactive imagination who thinks he’s a revolutionary. Bored with a design job at General Motors Holden in Melbourne, he drops out and moves into a share house with his mate Westy. He daydreams his way through life, bungling job interviews, upsetting ‘respectable’ people, and getting drunk. The only girl in the house, Anna resists Stork’s advances, because she’s already involved with the other two resident males, Tony and Clyde. But when she becomes pregnant and Clyde and Anna decide to marry, Stork, Tony, Clyde and Westy are shocked when they realize that either one of the foursome could be the father. Then the fun begins....

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.

The bawdy saga of the most infamous whomper of all time.

In 1970, political journalist Richard lives with Penny but is having an affair with actress Dee. The two woman meet and become friends.

Dimboola follows the interaction of various characters at a country wedding reception.

A recording of the Australian Performing Group's performance of their first professional production season of Jack Hibberd's play "Dimboola" staged at the Pram Factory in Carlton, Melbourne, Victoria, Australia.

Macarthy is a country town football champ who is kidnapped in a neon lit helicopter by tyrant Colonel Ball-Miller, the tycoon president of the South Melbourne football club.

Businessman Gerald Barker is invited to join a mysterious super corporation known as The Firm. His work in the organisation turns out to be of a unique and somewhat disturbing nature. But Gerald finds no comfort with his wife Melissa and friend Barry - his relationships with both collapse. In a surreal and strange fashion, Gerald eventually comes to understand what The Firm is about. Made on a tiny budget of $15,000 the film is a mix of naturalism and stylisation which the filmmaker hoped would work on 'a simple, surrealistic level'.