
Acting
Dias Rahmatov
Born — Died
1937-02-28 — 2013-08-19
Place of birth
Uzbekskaya SSR, USSR
Known for
Acting
Credits
11 titles
Dias Rahmatov was a Soviet and Uzbekistan actor.
Known for
6.1Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Abdulladzhan, or Dedicated to Steven Spielberg
1992
7.0No synopsis available yet.
Code of Silence 2. The Trail of the Black Fish
1994
8.0No synopsis available yet.
Initial Data: Death
1991
NRSince ancient times, on the vast expanses of Great Turan, there was a tradition of holding the folk game “kupkari” / goat‑tugging / in honor of the birth of sons. In addition to the ability to ride a horse, to be agile and brave, this game also instilled in future warriors such qualities as the ability to win and to be ready to defend their homeland… The film’s hero, the horseman Toshmurod, reveals his unique, humane character against the backdrop of the kupkari / goat‑tugging game. He lives happily with his beloved wife, Saodat, and their five sweet daughters. However, Toshmurod and his wife Saodat have a dream, and they live in anticipation of it. The action in the film “Chavandoz” escalates rapidly. Toshmurod’s childhood friend, Beshim, becomes his enemy and rival in the ulak / goat‑tugging competition/, and deprives him of his beloved horse. In the struggle against baseness and betrayal, Toshmurod ultimately emerges victorious.
The Rider
2007
NRNo synopsis available yet.
Devona
2004
6.0Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…
Under the Guise of "Black Cat"
1991
Film credits
2000s · 3 titles
NRSince ancient times, on the vast expanses of Great Turan, there was a tradition of holding the folk game “kupkari” / goat‑tugging / in honor of the birth of sons. In addition to the ability to ride a horse, to be agile and brave, this game also instilled in future warriors such qualities as the ability to win and to be ready to defend their homeland… The film’s hero, the horseman Toshmurod, reveals his unique, humane character against the backdrop of the kupkari / goat‑tugging game. He lives happily with his beloved wife, Saodat, and their five sweet daughters. However, Toshmurod and his wife Saodat have a dream, and they live in anticipation of it. The action in the film “Chavandoz” escalates rapidly. Toshmurod’s childhood friend, Beshim, becomes his enemy and rival in the ulak / goat‑tugging competition/, and deprives him of his beloved horse. In the struggle against baseness and betrayal, Toshmurod ultimately emerges victorious.
The Rider
2007
NRNo synopsis available yet.
Devona
2004
NRGaziboy wins the car in the lottery. He takes a lot of money from his father and goes to town.
Little People
2007
1990s · 5 titles
6.1Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Abdulladzhan, or Dedicated to Steven Spielberg
1992
6.0Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…
Under the Guise of "Black Cat"
1991
NRA surreal depiction of a man’s passion for film and his attempts to save his cinema.
Fellini
1999
NRAbout how a resident of one village suddenly found a bomb in his yard. The excited inhabitants of the village at first long determine what it is, and then what to do with it.
The Bomb
1995
NRThe plot is based on the story of a former teacher who became one of the leaders of the party leadership of Uzbekistan, involved in the "cotton business". He is accidentally killed by his own son in a shootout with assassins of party mafiosi.
Roundup of Feral Dogs
1991

