Karen Shakhnazarov

KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.

No synopsis available yet.

The heroes of this program have conquered many creative peaks, they are popular and loved by the audience. And everyone has their own melody that warms the soul, helps to love and believe in the future. The heroes will have to meet face to face with their "secret song" - because they do not know what kind of musical gift their relatives, friends or colleagues are preparing for them. The star guests of the show are in for unexpected surprises and vivid emotions, and their fans will have a unique opportunity to learn about the important moments that changed the fate of their idols and hear touching stories.

WWII, 1945. After barely surviving a battle with a mysterious, ghostly-white German Tiger tank, Red Army Sergeant Ivan Naydenov becomes obsessed with its destruction.

Ivan Miroshnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.

In the summer of 1944, the Nazi Armies prepare a massive Tank Division named 'Viking" for the offensive on occupied Russian land. The Russian Army's special group of seven snipers named "Zvezda" is sent for a reconnaissance operation behind the enemy lines in the back of the Nazi Tank Division. Two previous Russian groups never came back. The seven Russians know that they are going to an almost certain Death for the sake of Victory.

KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.

No synopsis available yet.

The heroes of this program have conquered many creative peaks, they are popular and loved by the audience. And everyone has their own melody that warms the soul, helps to love and believe in the future. The heroes will have to meet face to face with their "secret song" - because they do not know what kind of musical gift their relatives, friends or colleagues are preparing for them. The star guests of the show are in for unexpected surprises and vivid emotions, and their fans will have a unique opportunity to learn about the important moments that changed the fate of their idols and hear touching stories.

WWII, 1945. After barely surviving a battle with a mysterious, ghostly-white German Tiger tank, Red Army Sergeant Ivan Naydenov becomes obsessed with its destruction.

WWII, 1945. After barely surviving a battle with a mysterious, ghostly-white German Tiger tank, Red Army Sergeant Ivan Naydenov becomes obsessed with its destruction.

WWII, 1945. After barely surviving a battle with a mysterious, ghostly-white German Tiger tank, Red Army Sergeant Ivan Naydenov becomes obsessed with its destruction.

Ivan Miroshnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.

In the summer of 1944, the Nazi Armies prepare a massive Tank Division named 'Viking" for the offensive on occupied Russian land. The Russian Army's special group of seven snipers named "Zvezda" is sent for a reconnaissance operation behind the enemy lines in the back of the Nazi Tank Division. Two previous Russian groups never came back. The seven Russians know that they are going to an almost certain Death for the sake of Victory.

Gordei Kabachkov, a professional con man, decided to pursue a career in science and was very successful. Having settled in a certain Institute of Ancient Culture, he easily wraps his finger around the numerous "kind men" - members of the academic council - and defends his thesis. Using his "talents" and the kindness of the staff of the Institute of Ancient Culture, Kabachkov makes a rapid take-off on the career ladder...

Moscow, 1902. The famous director Konstantin Stanislavsky, in search of inspiration for staging a new play, decides to get acquainted with the life of the city "bottom". He turns to Vladimir Gilyarovsky, a recognized expert on the Moscow slums, for help.

Moscow, 1902. The famous director Konstantin Stanislavsky, in search of inspiration for staging a new play, decides to get acquainted with the life of the city "bottom". He turns to Vladimir Gilyarovsky, a recognized expert on the Moscow slums, for help.

Based on a novella by the well-known Soviet writer, Emmanuil Kazakevich "Two in the Steppe" and the war diaries of Konstantin Simonov. It's the summer of 1942, communications officer Ogarkov and private Dzhurabaev are fighting their way through the German encirclement. Finding themselves in difficult situations, they learn to trust one another, becoming true friends in the process.

Based on a novella by the well-known Soviet writer, Emmanuil Kazakevich "Two in the Steppe" and the war diaries of Konstantin Simonov. It's the summer of 1942, communications officer Ogarkov and private Dzhurabaev are fighting their way through the German encirclement. Finding themselves in difficult situations, they learn to trust one another, becoming true friends in the process.

There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.

There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.

There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.

A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...

A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...

Going on a business trip, the hero of the film suddenly finds himself in a fantastic city. It is very similar to our world, only the hidden absurdity of everyday life here has become apparent.

Going on a business trip, the hero of the film suddenly finds himself in a fantastic city. It is very similar to our world, only the hidden absurdity of everyday life here has become apparent.

The ruthless extremist Bazgaev responsible for terrorist attacks which lead to deaths of hundreds of civilians, among them school children, is planning new actions. A group of security officers is to track and destroy him. Based on a true story.

A music student is expelled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.

A music student is expelled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

A lonely Russian man is trying to see his daughter, who lives with her mother far away in the USA.

A lonely Russian man is trying to see his daughter, who lives with her mother far away in the USA.

The films hero is a metal worker named Ignat who is as strong and tough as the steel that his sprawling factory produces in the Ural Mountains. Its a great cheerless environment; life is arduous and dangerous; conditions at the plant are nearly subhuman. The only excitement in the grimy industrial town is provided by robbing a train at gunpoint or stealing sheep from the Bashkiri tribe. The most renowned diversion, however, is the annual fist fight between the strongest metal worker and the strongest miner from the region. Against his better judgment, but with the support of his co-workers, Ignat decides to take part in this perilous venture.

This movie deals with two friends, 13-14 year old boys. One comes from a more or less stable home (although he is growing up with single mom) and another comes from a broken up family. One day the kids break into a store to pretty much have fun and get something to eat, short time after they get caught and one kid is sent to juvenile prison (14 year old) and another one is released to his being too young to be tried (13 years old). The younger kid feels bad about such decision, feels guilty and tries to help his friend in any way possible. While trying to help he is meeting a guy, who is ex-cop and now down-on-his-luck drunk(played by Priyomykhov himself)... the two become friends. In the finale, the ex-cop has to go one of the PTA meeting at school (his mother could not get away from work and knows nothing about the ex-cop) where suddenly his mother appears and meets the "father"...

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

An adventurer rents out someone else's house by the sea to several women with children at once. So, the truth-loving salesman Antonina, the modest translator Sonya and the wife of Dr. Ira find themselves under the same roof. The vacation promises to be difficult, especially since the owner of the house suddenly appears.

Short film created from footage that has not been incorporated in the final cut of the film "The White Tiger" In June 1944 the Soviet arm encircled 53 army corps of General Gollwitzer in the Vitebsk area. The Germans fiercely defended themselves, and the Soviet army tightened the rina...

This story take place in Moscow during the 1970s and unfolds around the love triangle between two young men and a girl who study at the same university. They argue, make up, and face their first disappointments and victories. While busy with personal lives and loves, they miss foreseeing that the country in which they were born and live will soon disappear from the map.

This story take place in Moscow during the 1970s and unfolds around the love triangle between two young men and a girl who study at the same university. They argue, make up, and face their first disappointments and victories. While busy with personal lives and loves, they miss foreseeing that the country in which they were born and live will soon disappear from the map.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.

A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.

Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.

Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.

Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.