Editing

Nathalie Alonso Casale

Place of birth

Paris

Known for

Editing

Credits

11 titles

Nathalie Alonso Casale is a Dutch-Spanish-French film director, editor and writer. She is a graduate of the Amsterdam Film School (NFTVA). In 1996, she founded her own production company, Titanic Productions. In 2013, she co-founded The Intolerant Film Collective with three fellow Rotterdam-based filmmakers.

Known for

Guernsey poster
5.5

Guernsey is the story of a woman who suddenly looks at her own life and wonders how she became miles apart from the people she is closest to.

Guernsey

2005

The Act in Question poster
7.3

Miguel steals a trick from a magic book and becomes a world-renowned magician. However, the idea of ​​the public discovering that this great trick is plagiarized from a book eats at his mind more and more.

The Act in Question

1994

No artwork available
NR

short film by Nathalie Alonso Casale

3 Januari

—

No artwork available
4.0

Hammada walks away from home after an argument with his father. Will a special encounter at the river show him the way back?

Hammada

2009

Figner: The End of a Silent Century poster
5.0

Through her very real subject Edgar Figner, director Nathalie Alonso Casale offers us an intimate sense of the 21st-century Russian zeitgeist. A true alchemist, Mr. Figner has spent his life in Leningrad (St. Petersburg) as a sound-effects artist at Lenfilm Studios, where from the silent era to the present he has used commonplace objects (cabbages, old shoes) to create complex sound effects for films. Under the pressures of contemporary Russian life, Figner begins to retreat into a past comprising his own personal history and the history of Russian cinema. As reality and memory blend with stunning scenes from Soviet films, Figner’s art becomes a soundtrack for the muffled culture created by the repression of the Soviet era. This delicate mix of documentary, reality and cinematic imagination creates a deeply sensitive account of the silences at the heart of the Russian social, political and cinematic experience.

Figner: The End of a Silent Century

2006

No artwork available
8.0

A collaboration of Nathalie Alonso Casale and Axe-group (Max Issaev & Pavel Semtchenko).

Siesta, la tetera y la rosa

1998

Film credits

Behind the camera

No artwork available
NR

short film by Nathalie Alonso Casale

3 Januari

—

No artwork available
4.0

Hammada walks away from home after an argument with his father. Will a special encounter at the river show him the way back?

Hammada

2009

Figner: The End of a Silent Century poster
5.0

Through her very real subject Edgar Figner, director Nathalie Alonso Casale offers us an intimate sense of the 21st-century Russian zeitgeist. A true alchemist, Mr. Figner has spent his life in Leningrad (St. Petersburg) as a sound-effects artist at Lenfilm Studios, where from the silent era to the present he has used commonplace objects (cabbages, old shoes) to create complex sound effects for films. Under the pressures of contemporary Russian life, Figner begins to retreat into a past comprising his own personal history and the history of Russian cinema. As reality and memory blend with stunning scenes from Soviet films, Figner’s art becomes a soundtrack for the muffled culture created by the repression of the Soviet era. This delicate mix of documentary, reality and cinematic imagination creates a deeply sensitive account of the silences at the heart of the Russian social, political and cinematic experience.

Figner: The End of a Silent Century

2006

Figner: The End of a Silent Century poster
5.0

Through her very real subject Edgar Figner, director Nathalie Alonso Casale offers us an intimate sense of the 21st-century Russian zeitgeist. A true alchemist, Mr. Figner has spent his life in Leningrad (St. Petersburg) as a sound-effects artist at Lenfilm Studios, where from the silent era to the present he has used commonplace objects (cabbages, old shoes) to create complex sound effects for films. Under the pressures of contemporary Russian life, Figner begins to retreat into a past comprising his own personal history and the history of Russian cinema. As reality and memory blend with stunning scenes from Soviet films, Figner’s art becomes a soundtrack for the muffled culture created by the repression of the Soviet era. This delicate mix of documentary, reality and cinematic imagination creates a deeply sensitive account of the silences at the heart of the Russian social, political and cinematic experience.

Figner: The End of a Silent Century

2006

Figner: The End of a Silent Century poster
5.0

Through her very real subject Edgar Figner, director Nathalie Alonso Casale offers us an intimate sense of the 21st-century Russian zeitgeist. A true alchemist, Mr. Figner has spent his life in Leningrad (St. Petersburg) as a sound-effects artist at Lenfilm Studios, where from the silent era to the present he has used commonplace objects (cabbages, old shoes) to create complex sound effects for films. Under the pressures of contemporary Russian life, Figner begins to retreat into a past comprising his own personal history and the history of Russian cinema. As reality and memory blend with stunning scenes from Soviet films, Figner’s art becomes a soundtrack for the muffled culture created by the repression of the Soviet era. This delicate mix of documentary, reality and cinematic imagination creates a deeply sensitive account of the silences at the heart of the Russian social, political and cinematic experience.

Figner: The End of a Silent Century

2006

No artwork available
8.0

A collaboration of Nathalie Alonso Casale and Axe-group (Max Issaev & Pavel Semtchenko).

Siesta, la tetera y la rosa

1998

Memory of the Unknown poster
10.0

No synopsis available yet.

Memory of the Unknown

1996

No artwork available
7.0

Docu-drama shows the director on her demythologising quest in Aragon for the truth about the Spanish Civil War. The film is a surrealistic reconstruction of what her, in those days executed grandfather, has gone through.

Memorias sin batallas y otros muertos

1992