Acting
Timité Bassori
Born
1933-12-30 (92)
Place of birth
Aboisso, Côte d'Ivoire
Known for
Acting
Credits
6 titles
Timité Bassori is an Ivorian filmmaker, actor, and writer. His lone feature-length film, The Woman with the Knife (1969), is considered a classic of African cinema,[3] and is slated to be restored as part of the African Film Heritage Project, an initiative to preserve 50 African films through the collaboration of the groups FEPACI, UNESCO, Cineteca di Bologna, and Martin Scorsese's The Film Foundation.
Known for
5.2A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.
The Woman with the Knife
2010
6.8Suggested by Mama Watta, a legendary water goddess who seduces men into captivity, the film depicts the symbolic encounter of a man and a woman one night on the beach. The two share dreams on the sand but with daylight comes disorientation and death.
On the Dune of Solitude
1964
6.0Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.
Tahar Chériaa: A l'Ombre du Baobab
2014
Film credits
2010s · 2 titles
5.2A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.
The Woman with the Knife
2010
6.0Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.
Tahar Chériaa: A l'Ombre du Baobab
2014
Behind the camera
5.2A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.
The Woman with the Knife
2010
5.2A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.
The Woman with the Knife
2010
6.8Suggested by Mama Watta, a legendary water goddess who seduces men into captivity, the film depicts the symbolic encounter of a man and a woman one night on the beach. The two share dreams on the sand but with daylight comes disorientation and death.
On the Dune of Solitude
1964
6.8Suggested by Mama Watta, a legendary water goddess who seduces men into captivity, the film depicts the symbolic encounter of a man and a woman one night on the beach. The two share dreams on the sand but with daylight comes disorientation and death.
On the Dune of Solitude
1964