Jorge Fajardo

Lucia has left her native Chile and is now living in Montréal, Canada. Here, she tries to start a new life as an art teacher while also dealing with the painful memories of the coup d'etat that overthew the democratically elected government of Salvador Allende and drove many Chilean into exile.

Pablo, Chilean emigrant, ex-professor, seeks work in a Montréal steel mill. Cut off from family, country and profession, he is baffled by a language he doesn't speak and a job he doesn't know. The film reproduces with accuracy and sensitivity his efforts to adjust to a new and bewildering world.

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.

A professor arrives in Montreal to give a lecture about his country. One by one, he justifies the accusations of human rights violations in Chile in a speech that gradually loses its coherence.

TV movie, a part of a Canadian series titled "The Legends of the World", telling the legend of the White Lady of Wieliczka reportedly haunting the grounds of the mine.

TV movie, a part of a Canadian series titled "The Legends of the World", telling the legend of the White Lady of Wieliczka reportedly haunting the grounds of the mine.