Professeur Choron

In the early 1970s, Pompidou-era France, and soon Giscard d'Estaing's France, began to break free thanks to a few irreverent figures. Daniel Prévost, Pierre Desproges, Jean Yanne, Bertrand Blier, Patrick Dewaere, Gérard Depardieu, Miou-Miou, Coluche, Michel Polac, Professor Choron, and many others: all contributed to a culture whose influence still resonates with today's comedians. This documentary delves into this bygone era that gave birth to the new French irreverence.

Following the release of Bérurier Noir's album "Concerto pour détraqués" on the Bondage label in 1985, the French punk scene began to organize itself and attract media attention. Following Bondage's example, François Hadji Lazaro founded the Boucherie Production label. The departure of bands to major companies, Bérurier Noir's lawsuit against its label Bondage, and above all the breakup of the band marked the end of an era.

A feature-length documentary about François Cavanna—creator of the publications Charlie Hebdo and Hara-Kiri—who passed away on January 29, 2014. His influence on several generations of writers, journalists, and comedians is far too little known. While older audiences are aware that he co-founded Hara-Kiri and Charlie Hebdo with Choron, the dozens of books and collections he wrote or contributed to remain largely unfamiliar. People chiefly remember his early autobiographical works—such as *Les Ritals*, *Les Russkoffs*, and *Bête et méchant*—while overlooking his historical novels, encyclopedias, and polemical writings like *Stop crève…* The film draws on interviews with Cavanna conducted shortly before his death, forgotten archival footage, and previously unheard testimonies from figures such as Siné, Willem, Delfeil de Ton, and Sylvie Caster.

Reality TV has invaded the world television space for several years. Garbage television, attack to the human dignity, cultural desertification for some, phenomenon of society, new frontiers of the intimacy, formidable gas pedal of television particles for the others; the debate on reality TV arouses a deep and lasting emotion, in short, it produces word. It is this word that we decided to relay by the glance and the images, we propose to decipher some of the paradoxes which riddle the multiple reflections of the many personalities that we interviewed.

Georges Bernier, alias Professor Choron, died January 10, 2005. He was 75 years old. The few death notices that appeared in the French press mainly focused on the scatological nature of his humor, or on the good man's provocative side. No one recalled the essential, which was that with his passing not only had one of the great proprietors of the French press disappeared, but he'd taken with him an artist in his own right, quite unique in his own way : Professor Choron.

Professor Choron recounts with his memories as a child of a barrier guard, the 2nd World War with its horrors and the trains he saw during those years leaving for Germany or coming from there, full of French or German soldiers, in conquest or in rout according to the period

No synopsis available yet.

Georges Le Roi lives odd jobs and shares his life between two girlfriends. One day, he falls in love with Sophie and records a message of love. The tape is mistakenly broadcast in the company. In the face of success, Sophie founded the company Tell me about love and spread the messages of Georges, who soon became a sex symbol.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

No synopsis available yet.

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

Feature film.