Othon Metaxas

Fanis and Maria are living in the nasty center of Athens. They operate on the world of background actors and escape rooms. They are trying to make a killing in any way. They both sell and are being sold. Toxicity, porn, drugs. A wild and passionate couple in a dead-end love story.

Two young Greek filmmakers in need of funding for their film titled "The End of Passion" end up seeking the financial aid of an almost forgotten old-time porn-king producer. He agrees to help them while concealing his own secret plan.

In the small, closed community of a provincial town, Magda tries to maintain a balance within a family facing many serious problems. The families apparently normal, bourgeois, every-day life will crack open, bringing to the surface hatred and passions of the kind that lie well-hidden in the mists of the nearby lake. An intense plot and a totally unexpected ending make up this film, which features characters who are vulnerable, innocent and ordinary, but who become ruthless and callous, worrying only about protecting their financial resources. The offences are disproportionately serious compared to the financial benefits they try to secure

1957, Drapetsona, a working-class suburb of Piraeus. Katy feels stifled by her futile, enervating and almost ridiculous day-to-day life. An old dress becomes the pretext for the young girl to attempt what her mother dared not: to claim the right to living and not merely existing, or at least a simple stroll in the port.

fantastical human story

Portugal's Fernando Pessoa and Greece's Constantine Cavafy were two of the greatest poets of the 20th century, and the literary giants finally met in 1929 aboard a transatlantic ocean liner carrying immigrants to the U.S. This genre-bending documentary from Greek filmmaker Stelios Charalambopoulos blends truth with fiction in imagining what that meeting must have been like, offering an innovative mix of archival footage and fictional re-enactments of the poets interacting with one of the ship's immigrant passengers.

In 2004 the duo of Michalis Reppas and Thanasis Papathanassiou presents at the National Theater a show that will cut many tickets and will be repeated next year. It is entitled "Which Eleni?".

After her fighter pilot boyfriend commits suicide by crashing his jet into the ocean, a Greek fashion model reflects on their relationship and how it started, developed, then deteriorated. After a long bout of depression over his death, she learns that he may not be dead after all. Why would he have kept himself hidden from her, and will she ever be able to find him again?