Daniel Riesenfeld

A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.

N!xau (G/qa'o), the star of The Gods Must Be Crazy (1980), is visited in 1990 and shortly before his death in 2003; the way he and his fellow San (Bushmen) people live is not the idyllic lifestyle portrayed in the 1980 film.

A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.

A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.

N!xau (G/qa'o), the star of The Gods Must Be Crazy (1980), is visited in 1990 and shortly before his death in 2003; the way he and his fellow San (Bushmen) people live is not the idyllic lifestyle portrayed in the 1980 film.

N!xau (G/qa'o), the star of The Gods Must Be Crazy (1980), is visited in 1990 and shortly before his death in 2003; the way he and his fellow San (Bushmen) people live is not the idyllic lifestyle portrayed in the 1980 film.