José Costa

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

This film offers a deeply personal and emotional exploration of history through the eyes of a young Belgian woman traveling in Spain. By contrasting the 1936 anarcho-syndicalist revolution in Catalonia with mid-century European movements like May ’68, the narrative weaves together her personal heritage and political ideals. It acts as a subjective homage to freedom and utopia, questioning whether the optimistic spirit of 1936 and 1976 can ultimately survive the relentless, demoralizing weight of state power.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.