Susanne Bredehöft

Dance teacher and mother Nadja left her son Mario with her own mother when he was little. Now she has reappeared on his doorstep, seeking a closeness that knows fewer and fewer boundaries. An uncompromising film about family relationships.

After surviving a racist attack, state prosecutor Seyo Kim takes her own case to court – confronting both the perpetrators and a justice system that turns a blind eye to right-wing extremism.

Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

Returnee Willy von Mühlenbeck has to realize that his evil brother Martin has risen to become the head of the industrialist family, while their ailing mother is in the hands of sinister doctors. When he falls in love with the terminally ill Els, fate takes a tragic course.

Young nurse Sissi lives a secluded life entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident in which he provides first aid, Sissi wonders if he may be the man of her dreams. But when she finds him weeks later she is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.

Because the German state has failed, a large number of people are living in the forest, outside of society.

Although hostess Brigitte and life-loving schoolgirl Paula only meet in person once, their fates and lives are closely intertwined.

Today is Lara’s 60th birthday, which happens to fall on the same day as her pianist son’s career-defining concert. A failed pianist herself, Lara spends the time before his performance pacing about Berlin—boiling with jealousy, nerves, and pride—trying to get hold of her elusive son.

Cologne towards the end of the Second World War. The city is in ruins, everyone is afraid, many are dead. It is a time of great inhumanity. Cologne’s young Edelweiss Pirates refuse to submit to the pressure of the Nazi regime. They fight with the Hitler Youth and scrawl anti-war propaganda on walls. Karl is an Edelweiss Pirate; his younger brother, Peter, is in the Hitler Youth movement. The two young men have been alone ever since their mother’s death in a bombing raid; their father is serving at the front, and their older brother, Otto, has been killed in action. Otto’s financée, Cilly, is doing her best to survive the war with her children. Carl is trying to help her.

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like "Popstars" or "Friedmann" or the home shopping channels) its mentally "non-handicapped" participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one's most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about "exploiting" these handicapped persons. But that's what Schlingensief's works are all about: shock people and don't care about those who cannot or will not try to get the message (if there is one).

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

Taking place around the German reunification of 1990, a group of East Germans cross the border to visit West Germany and get slaughtered by a psychopathic cannibal family who want to turn them into sausages.

A chemical engineer of foreign origin faces discrimination and bullying at work, plunging him into an identity crisis.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

When her best friend Jojo falls in love and moves on from their wild dating adventures in Berlin, Paula does everything she can to sabotage her wedding.

Burned out and lonely Rocky is almost 50 years old and has seen better times as a womanizer. One day, Thorben shows up at his door claiming to be his son. He is trying to get advice on how to be successful with women.

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

Seventeen-year-old Charles from New York is supposed to do an exchange with a family of musicians in Berlin at the request of his two mothers. But instead of ending up in the capital, Charles finds himself in the depths of the Black Forest, where Western fan and gun enthusiast Fränk runs a cattle farm, living his very own dream of freedom and adventure. Charles is confronted with an image of America that is completely foreign to him, and he wants only one thing: to get away!

A musician tries to get by working several jobs.

Jesse Bronske runs the melancholy bar Klaus Meine, navigating love, work, and paranoia while haunted by his twin, as daily life and risky plans spiral amid alcohol and obsession.

Four teenage friends - Frank, Spüli, Mücke, and Pommes - try to have their first contact with the opposite gender. Not so easy in the Ruhr region of the 80s. Attempts at dancing and being in a band go wrong, and their parents and teachers can't help with that, so the four teens need to get creative.

During a storm, Monique and Heiko find an uninvited guest on their allotment plot. The strange stranger has wings on his back and it almost seems as if he has fallen from the sky. Heiko falls under its spell and Monique has a thought: don't we all want to believe in a miracle?

The EU has fallen apart, and in Germany, far-right populists are forming a new government. War is imminent. Jonas has deserted; he and his sister go into hiding at the home of their father, Stuber, whom Jonas has not seen since childhood. But there, the situation escalates. A catastrophe occurs even before the war has begun.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own.