Walkir Fernandes

A boy finds a flying balloon, filled with helium gas inside. The balloon gains a name, existing more than ever as Anacleto. So alive that it starts to scare the little boy.

No synopsis available yet.

In a world where everyday life quietly reveals the signs of environmental collapse, a small bee travels through three interconnected stories that expose the dilemmas of our time: urban alienation, unchecked consumerism, and the scarcity of natural resources. Without dialogue, the short film "Ecos do amanhã" invites us to reflect on our habits and choices in the face of the climate crisis. Beyond a warning, it is an invitation to reflect on the present and an uncertain future.

Her mother’s distance, her father’s absence, and the traumas provoked by her stepfather form an ocean inside the girl Muriel, who is afraid of swimming. The animation, directed by Carol Sakura and Walkir Fernandes, poetically approaches through verbal and visual metaphors the experience of plunging into one's own pains so as to finally emerge.

A boy finds a flying balloon, filled with helium gas inside. The balloon gains a name, existing more than ever as Anacleto. So alive that it starts to scare the little boy.

No synopsis available yet.

In a world where everyday life quietly reveals the signs of environmental collapse, a small bee travels through three interconnected stories that expose the dilemmas of our time: urban alienation, unchecked consumerism, and the scarcity of natural resources. Without dialogue, the short film "Ecos do amanhã" invites us to reflect on our habits and choices in the face of the climate crisis. Beyond a warning, it is an invitation to reflect on the present and an uncertain future.

In a world where everyday life quietly reveals the signs of environmental collapse, a small bee travels through three interconnected stories that expose the dilemmas of our time: urban alienation, unchecked consumerism, and the scarcity of natural resources. Without dialogue, the short film "Ecos do amanhã" invites us to reflect on our habits and choices in the face of the climate crisis. Beyond a warning, it is an invitation to reflect on the present and an uncertain future.

Her mother’s distance, her father’s absence, and the traumas provoked by her stepfather form an ocean inside the girl Muriel, who is afraid of swimming. The animation, directed by Carol Sakura and Walkir Fernandes, poetically approaches through verbal and visual metaphors the experience of plunging into one's own pains so as to finally emerge.