Emmanuel Miño

A couple without children, a couple with three children and a gay couple with a son from a previous marriage, four stories intertwine.

This Argentinian dramedy gives us elements of Woody Allen’s nervous comedy and Cassavetes’ melodramatic roller coaster in a storm of egos that takes place on one decisive weekend in the lives of Juana, a popular actress about to star in an important theater production, and her husband Roman, a director suffering from writer’s block. The couple’s daughter, Lila, serves as a mirror reflecting her parents’ frustrations and joys. The long takes, atmospheric music, and stellar performances, give a poignant, sometimes hilarious portrayal of a family as they attempt to negotiate their egos with their marriage and artistic lives.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

A teenage pop music star who is taking advantage of her rise to fame, another young woman with a more rebellious spirit, a young man who is always in love and a handful of low-level criminals make up a group of characters that have something in common: a shared destiny with an uncertain future.