Afrim Muçaj

In the 1990s, Albania's totalitarian regime is coming to an end. Agia, a young woman in a remote village still ruled by rigid codes of honour and silence, is barred from learning her family's craft. In her first act of defiance, she secretly begins mastering the tradition reserved for men. When this plunges her into a wider world, Agia dares to assert not only work and visibility, but also her own desires. Her belated coming of age becomes a quiet rebellion, mirroring that of a nation struggling to redefine itself.

The children transform into adults before our eyes. Yet they remain in limbo, haunted by memories of the war in Kosovo. Combining raw realism and staged performance, Afterwar is a meditation on the long-term repercussions of war.

In a village where everyone left, Redjo stays behind, he becomes the heart of Sllupkovo. A heartwarming comedy celebrating community resilience. Everybody Calls Redjo, the village hero.

Daut, a survivor of a massacre where his son was killed, has been rehearsing a letter for 20 years on what he will say if Hague ever calls him to testify for the horrors he has seen that day. The burden of memories gets heavier when he gets the news that his brother died of an illness, making Daut the only last survivor to remember the event. His mind starts to fail him on important details of the testimony. He might never bring justice for his son. For his brother. For his friends. Will the dead forgive him for giving up and being handed over to oblivion?

An elderly couple comes to the aid of a young maid from their son, but the elder daughter does not like her and decides to investigate by revealing that she hides a terrible secret that pertains to her intimate life regarding the elderly family.

The van finally stops, the doors open and Ben comes out alive. A few more fights and he will be able to pay his way out of Albania, and hopefully, take his father with him.

Four actors travel illegally through Balkan borders in war times to a theatre festival. But their real mission is to find their idol Michael Palin.

Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.

Three friends, hanging around in a cafe, make plans on where to go. Empty coffee cups on the table show that they have been there some time. Affected by the monotony, they begin to tease each other and passersby.

A father who is old and on his death bed calls his elders son, Bardhi. He advises his son that effort and hard work will ensure him a better future for his family. For the old man, land is everything. Just after the father dies, the younger son, Lis, turns up in the village. Lis has lived for eight years in the west European county and has lost contact with his family. The real reason he has returned is to sell off some of the family's land to pay off his debts to some characters from the underworld.

After his father passes away, Vedat and his son are faced with a debt left by his father and are forced to sell something precious to them in order to pay the debt.

Through the eyes of Era, a resilient yet fragile woman, the audience is introduced to a dystopian reality where victims and perpetrators of violence are intertwined, and the boundaries between guilt and innocence become blurred.