Chris Alexander

Through interviews with the cast, crew, collectors, fans, freaks and geeks, Hail to the Deadites seeks to illuminate the darkest reaches of the Evil Dead franchise's undying and still-growing popularity, a popularity that has spawned four films, a TV series, comic books, figurines, and surpassed even its creator's wildest dreams. Hail to the Deadites puts the spotlight on the fans that cultivated and spread this groovy pop-culture infection!

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

Canadian horror film critic, Chris Alexander, explores his career leading up to his time as editor-in-chief at the iconic magazine, "Fangoria".

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

Filmmaker Guillermo Del Toro in conversation with George Romero.

Director David Cronenberg discusses his transition from the experimental filmmaking of 'Stereo' and 'Crimes of the Future' to working within the commercial Canadian film industry with Montreal studio Cinepix making the films 'Rabid' and 'Shivers'.

A brand new feature documentary about the incredible life and career of prolific film producer and director Charles Band.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot's history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.

The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot's history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.