Chris Alexander

Canadian horror film critic, Chris Alexander, explores his career leading up to his time as editor-in-chief at the iconic magazine, "Fangoria".

Through interviews with the cast, crew, collectors, fans, freaks and geeks, Hail to the Deadites seeks to illuminate the darkest reaches of the Evil Dead franchise's undying and still-growing popularity, a popularity that has spawned four films, a TV series, comic books, figurines, and surpassed even its creator's wildest dreams. Hail to the Deadites puts the spotlight on the fans that cultivated and spread this groovy pop-culture infection!

A brand new feature documentary about the incredible life and career of prolific film producer and director Charles Band.

A new documentary on the career of horror legend Charles Band.

Filmmaker and musician Chris Alexander discusses the films and music of Herschell Gordon Lewis.

A feature length documentary examining the horror films of director Bob Clark

The Resurrections of Clarence Neveldine gives us an unsettling glimpse into the life of “The Final Girl” as she deals with the trauma of that notorious night and the mysterious figure that haunts her.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

Rising from her coffin, an inter-dimensional female vampire prowls a run down carnival hunting for love and human blood.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

A brand new feature documentary about the incredible life and career of prolific film producer and director Charles Band.

Filmmaker Guillermo Del Toro in conversation with George Romero.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

Director David Cronenberg discusses his transition from the experimental filmmaking of 'Stereo' and 'Crimes of the Future' to working within the commercial Canadian film industry with Montreal studio Cinepix making the films 'Rabid' and 'Shivers'.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.