Maxime Corbeil-Perron

Created shortly after going through a harrowing and transformative personal experience, Visions is a fragmentary work using a mix of stop-motion animation, analog video synthesis, Super 8 and digital video. Emerging from a variety of dreams, memories and visions experienced during a hospitalization Visions is a poetic exploration of the thin line that separates life from death.

On a film reel electrified by static charges, we meet five people who survived the impact of lightning.

Origami plays with perspectives and dimensions. Fractals and luminous geometry are here liquefied by the cathode-ray tube of a hacked television set.

Inspired by Japanese experimental cinema, Ghostly is an audiovisual composition that uses traditional techniques, such as long exposure photography and stop-motion animation, and pushes them to their limits through digital media. Using the frame rate as a way to create rhythmic interconnections between sound and image, the stop-motion animation oscillates between 6 and 48 frames per seconds. The sounds of this work were created and edited in direct relation to the flow of the image.

An audiovisual work which blends traditional technologies, obsolete media technology, modern software and digital media to create a timeless aesthetic. Using the movement of light in space as a genesis, it aims to create a coherent syntax between image and sound.

No synopsis available yet.

Created shortly after going through a harrowing and transformative personal experience, Visions is a fragmentary work using a mix of stop-motion animation, analog video synthesis, Super 8 and digital video. Emerging from a variety of dreams, memories and visions experienced during a hospitalization Visions is a poetic exploration of the thin line that separates life from death.

On a film reel electrified by static charges, we meet five people who survived the impact of lightning.

Origami plays with perspectives and dimensions. Fractals and luminous geometry are here liquefied by the cathode-ray tube of a hacked television set.

Inspired by Japanese experimental cinema, Ghostly is an audiovisual composition that uses traditional techniques, such as long exposure photography and stop-motion animation, and pushes them to their limits through digital media. Using the frame rate as a way to create rhythmic interconnections between sound and image, the stop-motion animation oscillates between 6 and 48 frames per seconds. The sounds of this work were created and edited in direct relation to the flow of the image.

An audiovisual work which blends traditional technologies, obsolete media technology, modern software and digital media to create a timeless aesthetic. Using the movement of light in space as a genesis, it aims to create a coherent syntax between image and sound.

No synopsis available yet.

No synopsis available yet.