Zoya Laktionova

Based on diaries and photographs found in the houses destroyed during the Russian war against Ukraine, the film captures the stories of Mariupol, including that of the director’s family. It centers on the value of freedom and human life itself over the nonsensical statements repeated by totalitarian regimes, as witnessed throughout the history of the Azovstal plant.

Mom feeds little birds from the window of a panel building in Mariupol, Ukraine, and grows quince in her dacha garden near the battle line. Telling about her simple life, the woman shoots videos for her daughter, who lives in Kyiv and often doesn't pick up the phone.

Life flows in its everyday reality, but then suddenly something elusive changes its course. All that is left is the chance to plunge into memories where everything is preserved, as if in a museum.

An experimental short documentary essay about the dreams of Roma women living in the ghetto in Kosice. Roma are one of the largest ethnic groups living in Slovakia. Despite this, integration into all spheres of society is difficult. And it should be noted that this applies not only to Slovakia. Luník IX houses the largest community of Romani people in Slovakia. Although originally built for 2,500 inhabitants, it is estimated that the population is now three times larger. Living standards are low, with services such as gas, water, and electricity cut off, as the majority of inhabitants are not paying rent or utilities fees.

Director Zoya Laktionova talks about her 2 months of experience abroad in a state of two realities. Her documentary essay interacts with two landscapes in the same space of the video work. The work uses archival family photos of the artist and texts written in the first weeks of the war. The work absorbs one landscape into another, but it is difficult to understand what kind of landscape this act carries out.

An attempt by the director to delve into the nature of sexuality and relationships with her friend in order to understand what their experience together was for them.

Based on diaries and photographs found in the houses destroyed during the Russian war against Ukraine, the film captures the stories of Mariupol, including that of the director’s family. It centers on the value of freedom and human life itself over the nonsensical statements repeated by totalitarian regimes, as witnessed throughout the history of the Azovstal plant.

Life flows in its everyday reality, but then suddenly something elusive changes its course. All that is left is the chance to plunge into memories where everything is preserved, as if in a museum.

An experimental short documentary essay about the dreams of Roma women living in the ghetto in Kosice. Roma are one of the largest ethnic groups living in Slovakia. Despite this, integration into all spheres of society is difficult. And it should be noted that this applies not only to Slovakia. Luník IX houses the largest community of Romani people in Slovakia. Although originally built for 2,500 inhabitants, it is estimated that the population is now three times larger. Living standards are low, with services such as gas, water, and electricity cut off, as the majority of inhabitants are not paying rent or utilities fees.

Director Zoya Laktionova talks about her 2 months of experience abroad in a state of two realities. Her documentary essay interacts with two landscapes in the same space of the video work. The work uses archival family photos of the artist and texts written in the first weeks of the war. The work absorbs one landscape into another, but it is difficult to understand what kind of landscape this act carries out.

An attempt by the director to delve into the nature of sexuality and relationships with her friend in order to understand what their experience together was for them.

An attempt by the director to delve into the nature of sexuality and relationships with her friend in order to understand what their experience together was for them.

An attempt by the director to delve into the nature of sexuality and relationships with her friend in order to understand what their experience together was for them.

Experimental documentary in which the author asks questions about life, death and the way. What will you understand when you reach the lighthouse?

World War II and the plant caused my mother's family to move to Ma-riupol. The war with Russia and the environmental consequences of the plant's operation play a key role in its future life.

World War II and the plant caused my mother's family to move to Ma-riupol. The war with Russia and the environmental consequences of the plant's operation play a key role in its future life.