
Directing
Maxime Jean-Baptiste
Known for
Directing
Credits
8 titles
Maxime Jean-Baptiste is a filmmaker based between Brussels and Paris. He was born and raised in the context of the Guyanese and Antillean diaspora diaspora in France, to a French mother and a Guyanese father. His interest as an artist is to dig inside the complexity of Western colonial history by detecting the survival of traumas from the past in the present. His audiovisual and performance work is focused on archives and forms of reenactment as a perspective to conceive a vivid and embodied memory. He graduated in Visual Arts [BA] at erg/école de recherche graphique, Brussels (BE) and in Media Arts [MA] at K.A.S.K. School of Arts, Ghent (BE), and participated in the SIC/SoundImageCulture pr…
Known for
6.0In 1961, France established its space-center in Kourou, French Guiana, expropriating local Guianese. Field investigation meets archival video to empower a silenced population.
Listen to the Beat of Our Images
2021
5.5Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
Listen to the Voices
2025
5.0Nou Voix is an autobiographical video departing from the participation of Maxime’s father, as a Guyanese figurant in the movie Jean Galmot aventurier (1990), which deals with the history of French Guiana. By re-enacting a part of the film, Maxime and his father try to amplify other kinds of voices.
Nou Voix
2018
6.0Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.
Moune Ô
2022
The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.
Between Nothingness and Infinity, I Began to Weep
2022
Behind the camera
6.0In 1961, France established its space-center in Kourou, French Guiana, expropriating local Guianese. Field investigation meets archival video to empower a silenced population.
Listen to the Beat of Our Images
2021
6.0In 1961, France established its space-center in Kourou, French Guiana, expropriating local Guianese. Field investigation meets archival video to empower a silenced population.
Listen to the Beat of Our Images
2021
5.5Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
Listen to the Voices
2025
5.5Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
Listen to the Voices
2025
5.0Nou Voix is an autobiographical video departing from the participation of Maxime’s father, as a Guyanese figurant in the movie Jean Galmot aventurier (1990), which deals with the history of French Guiana. By re-enacting a part of the film, Maxime and his father try to amplify other kinds of voices.
Nou Voix
2018
6.0Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.
Moune Ô
2022
6.0Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.
Moune Ô
2022
The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.
Between Nothingness and Infinity, I Began to Weep
2022
