Emidio Greco

La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.

A castaway arrives on an island. He thinks it's uninhabited, but he sees a palace with also a hidden room. Soon he sees some people walking, dressed with old-fashioned clothes. He is afraid because people don't see him, like a ghost.

A castaway arrives on an island. He thinks it's uninhabited, but he sees a palace with also a hidden room. Soon he sees some people walking, dressed with old-fashioned clothes. He is afraid because people don't see him, like a ghost.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.

Between Turin and Pisa unfolds the life of a socially and professionally successful university professor of law. Endowed with great intelligence and an elusive charm, the man and the professor lead a “withdrawn” existence that occasionally borders on the beds of casual lovers. Determined to control reality and keep it carefully at arm's length, he becomes involved despite himself in the suicide death of a student. The boy, obsessed with the professor's life, has painstakingly recorded his lectures, his behavior, his habits...

Between Turin and Pisa unfolds the life of a socially and professionally successful university professor of law. Endowed with great intelligence and an elusive charm, the man and the professor lead a “withdrawn” existence that occasionally borders on the beds of casual lovers. Determined to control reality and keep it carefully at arm's length, he becomes involved despite himself in the suicide death of a student. The boy, obsessed with the professor's life, has painstakingly recorded his lectures, his behavior, his habits...

After many years, a retired diplomat returns to his native Sicily to visit an abandoned property and delve into family correspondence. But is it worth bringing up the past? A difficult Sicilian history against the backdrop of the mafia and drugs.

After many years, a retired diplomat returns to his native Sicily to visit an abandoned property and delve into family correspondence. But is it worth bringing up the past? A difficult Sicilian history against the backdrop of the mafia and drugs.

No synopsis available yet.

No synopsis available yet.

In Italy, set in the early 1930s, a missing Swedish millionaire (Erland Josephson) is the target of a journalist (Rüdiger Vogler) who sets out to discover exactly what happened to the man and whether or not he is still alive. The biggest lead he has is the millionaire's attractive mistress (Brigitte Fossey), and the story takes off from there.

In Italy, set in the early 1930s, a missing Swedish millionaire (Erland Josephson) is the target of a journalist (Rüdiger Vogler) who sets out to discover exactly what happened to the man and whether or not he is still alive. The biggest lead he has is the millionaire's attractive mistress (Brigitte Fossey), and the story takes off from there.

A celebrity is murdered in broad daylight in the streets of Rome. Behind the murder lies a much more complex truth. The tracks, surrounded by a sultry milonga, leading to a gay commissioner.

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

Graduation essay at the CSC. Torn between two men (Claudio Trionfi and Oddo Bracci) who would like to cage her in a bourgeois and respectable love, Delia Boccardo gives herself to one and the other, then abandons them to their fate.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.