Lúcia Pires

A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

Matilde’s mother leaves the six years old girl with her grandmother and her sixteen years old cousin. As the night approaches Matilde faces for the first time the weight of acting of her own will.

Suddenly a mysterious woman appears in the West of Portugal. Everybody had seen her, but no one knew her. Mother, fairy, angel, owner of a wine business? Lúcia Pires’s (Fauna, 2018) film questions confabulation and existence without a proof.