Carlus Padrissa

No synopsis available yet.

This grand opera, complete with ensembles and ballets, large choruses and orchestral set pieces, is given an appropriately grand treatment in this production by the renowned Catalan theater group "La Fura dels Baus" recorded at Valencia's Palau de les Arts. In the first part of the work, Padrissa plays with the present-day meaning of "Trojans" as computer viruses: his Trojan horse carries within it the infection that will cause system failures and, ultimately, destruction. In the second part, Carthage is presented as the mysterious seat of a future civilization, where human life is heading towards self-destruction through environmental disasters.

Euripides' “The Bacchae,” directed by Catalan Carlus Padrissa, one of the founders of La Fura dels Baus, a company celebrated worldwide for its ability to rewrite the language of contemporary theater, opens the 56th edition of the Greek Theater Festival in Syracuse.

Ernst Krenek's theatrical piece Karl V. consisting completely of twelve-tone series should have premiered at the Vienna State Opera. The political situation in the Vienna of 1933 and the fact that Krenek was despised by the Nazis because of this Jazz opera Jonny spielt auf, prevented the première. It only took place five years later in Prague, however Krenek had already emigrated to the USA. Karl V was the last emperor to hold to the idea of a Christian empire in which the sun never set, although its downfall was always inevitable, for numerous reasons. For the second production of Karl V. in the Nationaltheater, Carlus Padrissa in particular seeks out political power systems that are highly topical, and so very precisely analyses the treatment in the theatrical piece. At the core of the intellectually and linguistically highly qualified libretto, written by the composer himself, Karl V. reflects on his life and makes his confession to a young monk below Titian's La Gloria.

In the words of the prestigious German weekly 'Die Zeit,' the stage production of Wagner's 'Rheingold' and 'Walküre' by La Fura dels Baus 'quite possibly shows us the path that musical theater will be taking in the future.' There's no doubt about it: the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular new theater designed by Santiago Calatrava, but also with its visually transfixing production of Wagner's 'Ring' staged by Carlus Padrissa and his theater group La Fura dels Baus.

Thamos has succeeded his father, Ramesses, as king of Egypt, but Ramesses had usurped the throne from the rightful king, Menes, who is now disguised as the high priest, Sethos. Thamos loves Sais, a priestess, but she is really Menes' daughter Tharsis, for whom the high priestess Mirza is plotting marriage to Pheron, a treacherous general.

No synopsis available yet.

This grand opera, complete with ensembles and ballets, large choruses and orchestral set pieces, is given an appropriately grand treatment in this production by the renowned Catalan theater group "La Fura dels Baus" recorded at Valencia's Palau de les Arts. In the first part of the work, Padrissa plays with the present-day meaning of "Trojans" as computer viruses: his Trojan horse carries within it the infection that will cause system failures and, ultimately, destruction. In the second part, Carthage is presented as the mysterious seat of a future civilization, where human life is heading towards self-destruction through environmental disasters.

Euripides' “The Bacchae,” directed by Catalan Carlus Padrissa, one of the founders of La Fura dels Baus, a company celebrated worldwide for its ability to rewrite the language of contemporary theater, opens the 56th edition of the Greek Theater Festival in Syracuse.

Ernst Krenek's theatrical piece Karl V. consisting completely of twelve-tone series should have premiered at the Vienna State Opera. The political situation in the Vienna of 1933 and the fact that Krenek was despised by the Nazis because of this Jazz opera Jonny spielt auf, prevented the première. It only took place five years later in Prague, however Krenek had already emigrated to the USA. Karl V was the last emperor to hold to the idea of a Christian empire in which the sun never set, although its downfall was always inevitable, for numerous reasons. For the second production of Karl V. in the Nationaltheater, Carlus Padrissa in particular seeks out political power systems that are highly topical, and so very precisely analyses the treatment in the theatrical piece. At the core of the intellectually and linguistically highly qualified libretto, written by the composer himself, Karl V. reflects on his life and makes his confession to a young monk below Titian's La Gloria.

In the words of the prestigious German weekly 'Die Zeit,' the stage production of Wagner's 'Rheingold' and 'Walküre' by La Fura dels Baus 'quite possibly shows us the path that musical theater will be taking in the future.' There's no doubt about it: the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular new theater designed by Santiago Calatrava, but also with its visually transfixing production of Wagner's 'Ring' staged by Carlus Padrissa and his theater group La Fura dels Baus.

Thamos has succeeded his father, Ramesses, as king of Egypt, but Ramesses had usurped the throne from the rightful king, Menes, who is now disguised as the high priest, Sethos. Thamos loves Sais, a priestess, but she is really Menes' daughter Tharsis, for whom the high priestess Mirza is plotting marriage to Pheron, a treacherous general.

No synopsis available yet.

It has been a long time since the events of Das Rheingold. Wotan has fathered nine Valkyries, warrior women who bring dead heroes to Valhalla (the castle of the Gods). Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.