Daniele Ciprì

No synopsis available yet.

After 20 years of working with Marco Bellocchio, a close collaborator feels the need to share what he experienced with him.

Two families meet for a marriage that neither want, and things take a turn when the respective patriarchs fall in love.

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The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

A compassionate look at the way the digital revolution has affected the Sicilian movie theater industry.

“Being born in Palermo is a kind of punishment, but I’ve never left because it would feel like betrayal. Moreover, I can’t imagine Cinico Tv in any other place in the world.” To Franco Maresco, a brilliant, solitary director from Palermo, his city was the stage of a surreal comedy of rampant decay just as the Mafia was renegotiating the division of power and influence in the emerging Second Republic. Ruins, trash, scraps, underwear, flatulence and burping raided the TV screen at dinnertime in Italian homes in the spring of 1992, sparking hostile cultural debates about the limits of trash and the aesthetics of ugliness, the sense of post-history and post-humanity

No synopsis available yet.

No synopsis available yet.

An evocation of work and the frantic activity of factories through the contrast provide by images of desolation, ruin, and abandonment. Among these, the human figure, represented by a completely motionless Marcello Miranda, appears as a triviality incapable of combating the relentless devastation of time and progress.

The Italian duo Ciprì & Maresco, known to be cynical deconstructionists, weave a fascinating film around memories of a decadent Sicily. Ruins, memories of ruins - memories are ruins. This thoroughly surrealist piece unfolds like a dream, with no clear direction but the haunting feeling of familiarity and the ready acceptance of otherness as oneness.

No synopsis available yet.

No synopsis available yet.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).

The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).

Ciprì and Maresco are fierce critics of post-modern society. They bear witness to the colonization of the imagination attributable in part to the omnipresence of mass communications and the globalization of neo-capitalist values. Their works, scatological in the literal but especially in the metaphorical and etiological sense, denounce social institutions and practices thought to be at the root of injustice, inequality and criminality.

Technical test on the apocalypse in Palermo. There are some men in a cave while we hear explositions outside, far away. Perhaps a war, which nobody knows about. Some of the few survivors move on a desolated and uninhabited land. Images of cemeteries and deserted landscapes pass by, while the survivors start behaving absurdly like animals.

Romagnolo is a short film contained CinicoTV series by the duo Maresco & Ciprì .

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.

Several figures associated with Cinico TV talk about its inception, its rise, and the context in which it took place.

We are in an unusual place, two bizarre characters and a unique story. What lies behind a simple button?

We are in an unusual place, two bizarre characters and a unique story. What lies behind a simple button?

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A grotesque tribute to Silvio Berlusconi following his 1994 entry into Italian politics.

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In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".