Todd Verow

In 1997 New York City, filmmaker Erik bonds with closeted lawyer Paul after a one-night fling. As their relationship evolves through dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.

Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .

Russell has two passions: watching television and farting! He also loves Heather. Heather HATES farting. The eternal triangle! One day she warns him, "if they ever allow farting on television, you'll never leave the house!" One evening he goes to sleep in front of the TV, and "it" happens. Virtually everything on TV is fart related, from sitcoms and commercials, to newscasts and dramas.

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

“Mineshaft: The Cruising Murders" peels back the layers of controversy surrounding the making of the 1980 thriller, "Cruising." Directed by William Friedkin, the film triggered fierce protests from the LGBTQ+ community for its portrayal of a serial killer targeting gay men in New York's leather bars. Friedkin drew inspiration from the brutal murder of Variety reporter Addison Verrill, blurring the boundaries between cinematic fiction and real-life tragedy.

An experimental micro-documentary and multigenerational handing down of queer sexual wisdom and whimsy.

Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .

Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .

Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.

Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.

Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.

Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.

Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.

Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.

A lonely man hires a male prostitute to spend the weekend in New York City with him.

A lonely man hires a male prostitute to spend the weekend in New York City with him.

A lonely man hires a male prostitute to spend the weekend in New York City with him.

In this anthology of shorts, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Sit back and enjoy "Built for Endurance", "Exit", "Bro", "Family History" and "Best Wishes."

"Bulldog in the Whitehouse" takes political satire to obscene new heights: portraying the Bush administration as a cabal of lustful and traitorous gay men who are too busy having sex to notice the empire crumbling down around them. An explosive and darkly comic adaptation of Choderlos de Laclos' novel Dangerous Liaisons, the film's web of sex and deceit centers on Bulldog, a hustler who seduces his way into the Washington press corps to gain access to the halls of the political elite. At the bidding of his puppet master, a corpulent and power mad Karl Rove, Bulldog engages in manipulative trysts with Whitehouse hotties like the demure press secretary, the religious leader and the confused, imbecilic good ol' boy president himself.

"Bulldog in the Whitehouse" takes political satire to obscene new heights: portraying the Bush administration as a cabal of lustful and traitorous gay men who are too busy having sex to notice the empire crumbling down around them. An explosive and darkly comic adaptation of Choderlos de Laclos' novel Dangerous Liaisons, the film's web of sex and deceit centers on Bulldog, a hustler who seduces his way into the Washington press corps to gain access to the halls of the political elite. At the bidding of his puppet master, a corpulent and power mad Karl Rove, Bulldog engages in manipulative trysts with Whitehouse hotties like the demure press secretary, the religious leader and the confused, imbecilic good ol' boy president himself.

"Bulldog in the Whitehouse" takes political satire to obscene new heights: portraying the Bush administration as a cabal of lustful and traitorous gay men who are too busy having sex to notice the empire crumbling down around them. An explosive and darkly comic adaptation of Choderlos de Laclos' novel Dangerous Liaisons, the film's web of sex and deceit centers on Bulldog, a hustler who seduces his way into the Washington press corps to gain access to the halls of the political elite. At the bidding of his puppet master, a corpulent and power mad Karl Rove, Bulldog engages in manipulative trysts with Whitehouse hotties like the demure press secretary, the religious leader and the confused, imbecilic good ol' boy president himself.

Rick, a photographer, witnesses the brutal murder of a gay man in Central Park. With the cops taking little interest in the crime, a dangerous and sexy game of cat and mouse ensues between Rick and the killer, Adam.

Rick, a photographer, witnesses the brutal murder of a gay man in Central Park. With the cops taking little interest in the crime, a dangerous and sexy game of cat and mouse ensues between Rick and the killer, Adam.

Rick, a photographer, witnesses the brutal murder of a gay man in Central Park. With the cops taking little interest in the crime, a dangerous and sexy game of cat and mouse ensues between Rick and the killer, Adam.

What do construction workers do in their well-earned breaks? How might Angelina Jolie's and Brad Pitt's relationship have ended? And what really happened between Marilyn Monroe and Joan Crawford during the summer of 1959? The answers to these and many other interesting questions are provided by twelve queer New York filmmakers. Their films also scrutinize such topics as the difference between the way men and women dream, and how erotic tying a necktie or having a manicure can be.

What do construction workers do in their well-earned breaks? How might Angelina Jolie's and Brad Pitt's relationship have ended? And what really happened between Marilyn Monroe and Joan Crawford during the summer of 1959? The answers to these and many other interesting questions are provided by twelve queer New York filmmakers. Their films also scrutinize such topics as the difference between the way men and women dream, and how erotic tying a necktie or having a manicure can be.

A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.

A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.

When 30 something Sean meets Eastern European immigrant Wolf, sparks fly. They return to Sean’s apartment and begin a high energy and hugely sexual affair. What starts as a mere chance meeting slowly evolves into something more. Wolf is easy going, turning tricks to supplement his living, while Sean is needy, talkative and neurotic. Creating a stable relationship is fraught with problems. With Wolf disappearing for hours at a time and Sean doing drugs the two of them seem to be headed down a path of destruction.

When 30 something Sean meets Eastern European immigrant Wolf, sparks fly. They return to Sean’s apartment and begin a high energy and hugely sexual affair. What starts as a mere chance meeting slowly evolves into something more. Wolf is easy going, turning tricks to supplement his living, while Sean is needy, talkative and neurotic. Creating a stable relationship is fraught with problems. With Wolf disappearing for hours at a time and Sean doing drugs the two of them seem to be headed down a path of destruction.

When 30 something Sean meets Eastern European immigrant Wolf, sparks fly. They return to Sean’s apartment and begin a high energy and hugely sexual affair. What starts as a mere chance meeting slowly evolves into something more. Wolf is easy going, turning tricks to supplement his living, while Sean is needy, talkative and neurotic. Creating a stable relationship is fraught with problems. With Wolf disappearing for hours at a time and Sean doing drugs the two of them seem to be headed down a path of destruction.

An afternoon visit to a small city Sex Shoppe yields excitement, surprise and comic relief.

An afternoon visit to a small city Sex Shoppe yields excitement, surprise and comic relief.

A man finds himself homeless after a fight with his significant other.

A man finds himself homeless after a fight with his significant other.

A man finds himself homeless after a fight with his significant other.

A documentary about gay male cruising and public sex and how it has changed over the years.

A documentary about gay male cruising and public sex and how it has changed over the years.

A documentary about gay male cruising and public sex and how it has changed over the years.

In this anthology of shorts, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Sit back and enjoy "Country People," "Brothers," "Son of a Dancer," and "Swimming to the End of the World."

Sex and drugs-getting hooked and getting off can be addicting. For Drew, eking out a mundane life in Waterville, Maine, it is resisting the illicit pleasure in New York; for Mistress Datina (Philly), it means operating a sex and drug den to cope with her life. In his visually and sexually stimulating film, director Verow introduces multiple characters and overlapping narratives that portray the physical and emotional faces of addiction. For Rob, drugs and sex are means of finding a bed to sleep in every night – while they provide Christian a means of dealing with his helplessness and loss. A writer records these characters and their unforgettable stories. The themes are universal, but the possibilities are endless.

Sex and drugs-getting hooked and getting off can be addicting. For Drew, eking out a mundane life in Waterville, Maine, it is resisting the illicit pleasure in New York; for Mistress Datina (Philly), it means operating a sex and drug den to cope with her life. In his visually and sexually stimulating film, director Verow introduces multiple characters and overlapping narratives that portray the physical and emotional faces of addiction. For Rob, drugs and sex are means of finding a bed to sleep in every night – while they provide Christian a means of dealing with his helplessness and loss. A writer records these characters and their unforgettable stories. The themes are universal, but the possibilities are endless.