Antônio Pitanga

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.

The end and the beginning of the relationship between Jade and Caio, the first human couple in history to be brought together by an artificial intelligence.

In the backlands of Goiás, Brazil, brutish men who cannot deal with their weaknesses are constantly abandoned by the women they love. Sad and bitter, these men turn violently against each other.

The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.

In the outskirts of Rio de Janeiro during the early 1980s, Justino finds a chance to escape poverty and transform his life through a powerful neo-Pentecostal church. Beneath his rapid rise and success as a pastor lie repressed desires, secrets, ambition, and betrayal. Fifteen years later, he seeks to settle the score with his past.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Tony and his best friend, Ivy, decide to rob the bar where he works to steal a new drug that will take them on a journey to meet God.

"A Day with Jerusa" follows Silvia, a young, mediumic market researcher facing the hardships of underemployment while awaiting the result of a public exam, and Jerusa, a gracious 77-year-old lady, eyewitness to the daily life on Bixiga, a neighborhood filled with ancestral memories. On Jerusa's birthday, while she waits for her family's arrival, the encounter between her deepest memories and Silvia's mediumship allows them to travel through time and realities common to their ancestry.

The river is not the same. It has turned into contaminated mud. Residents of a fishing village face an uncertain future after the dam burst. Yara and Dingue resume their lives, remain and drift in the memory of the place while the waters run down the mountains in the face of the indomitable forces of nature.

Pasqualina, 91, is an old lady full of life who lives in a nursing home after having lost all her relatives. In a sunny day, she decides to run away from there: she wants to find a former love she had long lost sight of. In this journey, Pasqualina ends up meeting Petrolina, nicknamed Pety, an 8 years old dreamy girl, that resents the fact of not having a grandmother. The friendship changes their lives, and Pety, surprisingly, tries to adopt Pasqualina.

No synopsis available yet.

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

When Alex and Eva choose to exchange vows at the very spot they first crossed paths, a series of hilarious missteps derails their journey to the altar.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

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Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.

Vera, who fought in the armed left-wing movements against the Brazilian military dictatorship, has lived in multiple South American countries. Her daughter Tânica has been married to another woman for fifteen years, and they're about to have their first child.

The true story of a working class boy who moves to the nation's financial capital at a young age and becomes one the most influential politicians in Brazilian history.

Barravento Novo depicts correspondences between Antônio Pitanga—a Cinema Novo actor seen here delivering lines from Glauber Rocha’s first feature, Barravento, from 1962—and his daughter, Camila Pitanga, a well-known actor and filmmaker working today.

No synopsis available yet.

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

Three stories are intermingled by the same theme: possessions.

Flávio is a filmmaker who was famous during the 1970s, but who's now forgotten by the public. Urging to become relevant again, he's willing to try everything, even by methods in which he doesn't believe. A supernatural debt, however, may be compromising his career.

No synopsis available yet.

Recalling the films "Sol Sobre a Lama" and "A Grande Feira", which portrayed the living conditions of Bahian society in the 1960s, the scenario was the Feira de Água de Meninos that was set on fire. Today the Feira de São Joaquim and its marketers live situations similar to those of the Cinema Novo films, in parallel they wait with hope for the beginning of the revitalization and expansion of the largest open market in Bahia.

Chronicles the life and career of Hugo Carvana, brazilian actor and filmmaker.

Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.

Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.

Apolônio Brasil was a pianist at a famous nightclub in Rio de Janeiro, from the 1950s until his untimely death. Quite a character, Apolônio was loved by women and idolized by his audience and friends. His contagious joy attracts the attention of American scientist Dr. Boris Lewitsky, who comes to Brazil in order to interview Apolônio's close friends and make them a most unusual offer concerning the remains of the late musician.

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.

The ideological conflict between Joaquim Bolívar, a young barber member of the Communist Party and the powerful Coronel Gaudêncio, a typical province political leader.

No synopsis available yet.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

In an old and mysterious tropical mansion cohabit the supposed owner, a friar, a convalescent pilot, the Haitian servant, the mercenary guardian and the Machiche, a mature and dominant female. A young model arrives there to unleash all kinds of passions.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

On a farm in rural Brazil in the 18th century, a new overseer arrives. He falls in love with one of the enslaved women, Mestiça, beloved by all the men. When a pair of silver earrings disappears from the farm and the overseer orders the leader of the enslaved women arrested, Mestiça decides to take revenge.

A beautiful young woman living in an isolated fishing community on an island falls in love with an outsider, a train machinist. But her father, a violent religious fanatic interferes.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

No synopsis available yet.

After assaulting a Hollywood film crew, a group of residents of a community in Rio de Janeiro decided to produce a film that would express the reality of Brazil - with the theme of Inconfidência Mineira.

No synopsis available yet.

African couple Silvianus and Makeba arrive in Brazil, seeking to tourist around the country and take part in an International Music Festival

Jorge Amado no Cinema was made for a television program dedicated to the writer Jorge Amado. In this documentary, Jorge Amado is filmed in his home, surrounded by his large family; in a bookstore, during an autograph session of one of his books, in a cinema in Salvador, at the avant-première of the film Tenda dos Milagres, by Nelson Pereira dos Santos, an adaptation of the book of the same name by Jorge Amado. Glauber films his friend with a lot of humor and affection. The camera evolves slowly, incessantly and quickly over the writer, his family members, actors and actresses from Nelson's film, in addition to passing through objects of candomblé rituals that make up Jorge Amado's museum.

A black fisherman now working at a local gas station, Antônio lives at the small beach town of Atafona. His biggest ambition is to stash enough money to leave to a big city with his fiancee, a mix-raced girl who sells fresh crabs to locals and wishes for a better life. When a rich white woman from the high society arrives to spend a few days away after ending a failed marriage, Antônio soon bonds with her and begins to change his plans.

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

Salvador, Bahia, Brazil, during the dictatorship of Getúlio Vargas. Outlaw Tonio is involved in a conflict between strikers and the police. His mistress tries to keep him from his companions, but he steals her belongings to help the persecuted. Dissatisfied, she denounces him, compromising him politically.

After killing a troublemaker, Cristino flees to a town in the Northeast and is forced to join Lampião's gang, where he becomes his right-hand man, under the name Corisco, the Blond Devil. He falls in love with Dadá, a farmer's daughter, and takes her with him by force. Gradually, she learns to love him, and they live together for 13 years in the cangaço. Corisco escapes the Angico massacre but is captured by Lieutenant Zé Rufino's volante after beheading the family of Lampião's informant. Dadá and Corisco, on the way to hand them over to the authorities, reminisce about the adventurous adventures of their lives.

The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.

No synopsis available yet.