Adrián Caetano

The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

Togo just wants to watch his neighbors' homes, wash their cars and clean up their sidewalks. But the drug traffickers want more from him.

Documentary that gathers the testimonies of more than twenty contemporary Argentine film directors. Through interviews, filmmakers from different generations and tendencies reflect on the craft of directing, creative difficulties, and the challenges of the local industry. The diversity of voices ranges from established figures to representatives of the new Argentine cinema, offering a panorama of the different ways of conceiving and practicing filmmaking.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

Togo just wants to watch his neighbors' homes, wash their cars and clean up their sidewalks. But the drug traffickers want more from him.

Togo just wants to watch his neighbors' homes, wash their cars and clean up their sidewalks. But the drug traffickers want more from him.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

Mariana doesn’t like her name and starts calling herself Gloria. Her parents split up before she was one year old and today, like many separated couples, they are brought back together under the same roof only because they don’t have a decent job. Cristina, her mother, rents a part of the house to her ex-husband for a bit of extra money. “Francia” talks about those people who will never travel far from their home, where they take refuge, for good or bad, from all disgusting things in the outside world. Meanwhile, Mariana puts on her headphones when she hears her parents fighting. Those fights which now serve as a relief to the helpless.

Mariana doesn’t like her name and starts calling herself Gloria. Her parents split up before she was one year old and today, like many separated couples, they are brought back together under the same roof only because they don’t have a decent job. Cristina, her mother, rents a part of the house to her ex-husband for a bit of extra money. “Francia” talks about those people who will never travel far from their home, where they take refuge, for good or bad, from all disgusting things in the outside world. Meanwhile, Mariana puts on her headphones when she hears her parents fighting. Those fights which now serve as a relief to the helpless.

The first version of the documentary produced by the Peronist militants Chino Navarro and Topo Devoto, which focuses on the figure of the former President Néstor Kirchner with archival images. This version was rejected by its producers, who commissioned a new one from the director Paula de Luque, which was the one that premiered in Argentine theaters. But a copy of Caetano's work was leaked online, and after his viewing by President Cristina Fernández it was decided that his post-production and subsequent dissemination will be completed.

A story about metaphor, exploring metaphor rather than a naturalistic or contemporary narrative, avoiding the discursive. It's not difficult to find the parallel between what happens and what actually happened: a family (us as a society) protected by a violent drunk (the government at the time), his wife and son, naked victims of their father's violence and impotence. The well-meaning bourgeois family (the cultural empire of good manners) seems to be restoring order when, in the face of such a situation, what they're actually doing is appropriating what they need under the guise of imperialist civilization. Reading it merely as a vampire story reaffirms this metaphor: out of our ignorance, we despise what conquers us, only for it to conquer us again without hesitation, with morality and good manners on its side.

A story about metaphor, exploring metaphor rather than a naturalistic or contemporary narrative, avoiding the discursive. It's not difficult to find the parallel between what happens and what actually happened: a family (us as a society) protected by a violent drunk (the government at the time), his wife and son, naked victims of their father's violence and impotence. The well-meaning bourgeois family (the cultural empire of good manners) seems to be restoring order when, in the face of such a situation, what they're actually doing is appropriating what they need under the guise of imperialist civilization. Reading it merely as a vampire story reaffirms this metaphor: out of our ignorance, we despise what conquers us, only for it to conquer us again without hesitation, with morality and good manners on its side.

A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things don't go too well. One of the youths, Cordoba, whose girlfriend Sandra is pregnant, just wants to get enough cash so they can leave Argentina and get to Uruguay to start a new life. He and his friends plan one last robbery, but things don't go as planned.

A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things don't go too well. One of the youths, Cordoba, whose girlfriend Sandra is pregnant, just wants to get enough cash so they can leave Argentina and get to Uruguay to start a new life. He and his friends plan one last robbery, but things don't go as planned.

A man traveling in his truck on a desolate road...

A man traveling in his truck on a desolate road...

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

No synopsis available yet.

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

Two groups of marginalized people, of different generational composition, dispute the modest geography of a square, in the most perfect synthesis of Caetano's recurring theme: the confrontation of poor against poor as the atrocious symptom of the loss of political consciousness.

The teacher of a school, on the occasion of the festivities for the bicentennial of Argentina, assigns her fifth grade students the task of representing different historical events.

A story about hope, despair and disagreement, where a writer and a prostitute, who have lost everything, travel to the south. Looking for answers; driven on paths towards nothingness.

Documentary made on the occasion of the one hundred years of the 'Club Atlético Independiente de Avellaneda', which tells the story of 'el Rojo' through the testimony of more than twenty players, presidents and club technicians.

In any city in the interior of the country one more crime with a tragic outcome, the two that preceded were the lives of two young people like any other

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.

Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.