Michel Thériault

Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.

École Marie-Labrecque is a one-of-a-kind institution: The 60 girls who study at the school are all between the ages of 12 and 17, and they're all pregnant or new mothers. The school's mission is twofold: to give them an education and to prepare them for motherhood. It's It's a huge challenge and they have only a few months to get ready.

Omertà or Omertà, The Code of Silence is a Quebec television series of 11 forty-five minute episodes, created by Luc Dionne and aired from January to April 1996 on Radio-Canada. In France, the series aired on France 3 in 1998. A second season, titled Omertà II – The Code of Silence, had 14 forty-five minute episodes and was broadcast between September and December 1997 on Radio-Canada. A third season, titled Omerta, The Last Men of Honor, had 13 episodes and was broadcast from January to April 1999, on Radio-Canada.

In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.

Natasha Maxwell spends the holidays at her grandparent’s house in the tiny town of Roundtop, where she grew up. She happily takes over from her grandfather as the small town’s benevolent Secret Santa, covertly delivering gifts to deserving and grateful citizens. Meanwhile, while attempting to foil Adrian, an investigative reporter determined to reveal Natasha’s identity as the mystery gift giver, she ends up falling in love.

A poor Montreal woman, abandoned by two men, teams with her new love to rob banks, driven by passion and desire to give her children a better life than her ghetto upbringing.

École Marie-Labrecque is a one-of-a-kind institution: The 60 girls who study at the school are all between the ages of 12 and 17, and they're all pregnant or new mothers. The school's mission is twofold: to give them an education and to prepare them for motherhood. It's It's a huge challenge and they have only a few months to get ready.

Omertà or Omertà, The Code of Silence is a Quebec television series of 11 forty-five minute episodes, created by Luc Dionne and aired from January to April 1996 on Radio-Canada. In France, the series aired on France 3 in 1998. A second season, titled Omertà II – The Code of Silence, had 14 forty-five minute episodes and was broadcast between September and December 1997 on Radio-Canada. A third season, titled Omerta, The Last Men of Honor, had 13 episodes and was broadcast from January to April 1999, on Radio-Canada.

In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.